100% hand painted, 100% cotton canvas, 100% money back if not satisfaction.
Eugene Boudin
1824-1898
French landscape painter. Encouraged at an early age by Jean-Francois Millet, Boudin became a strong advocate of painting directly from nature. In 1874 he exhibited with the Impressionists, but, unlike those painters, he was not an innovator, and from 1863 to 1897 he exhibited regularly in the official Salon. His favourite subjects were beach scenes and seascapes, which show remarkable sensitivity to effects of atmosphere; on the backs of his paintings he recorded the weather, light, and time of day. His works link the careful naturalism of the mid 19th century and the brilliant colours and fluid brushwork of Impressionism.
100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
Eugene Boudin Beach Scene
new24/Eugene Boudin-376339.jpg English: "Beach Scene," by Eugene Louis Boudin, oil on canvas. 9 3/8 in. x 14 1/2 in. Yale University Art Gallery, gift of Edward B. Greene, B.A. 1900. Courtesy of Yale University, New Haven, Conn.
Date circa 1874-1875
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Eugene Boudin On the Beach,
new24/Eugene Boudin-857369.jpg On the Beach, Trouville, oil on panel painting by Eug??ne Boudin, 1887, National Gallery of Art, Washington.
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Eugene Boudin Trouville, les jetees, mer haute
new25/Eugene Boudin-866697.jpg Date 1885(1885)
Medium Oil on canvas
Dimensions 40 x 55.4 cm (15.7 x 21.8 in)
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Eugene Boudin Banks of the Seine
new26/Eugene Boudin-659639.jpg between 1860(1860) and 1869(1869)
Medium oil on panel
Dimensions 31.3 x 55.3 cm (12.3 x 21.8 in)
cjr
1824-1898
French landscape painter. Encouraged at an early age by Jean-Francois Millet, Boudin became a strong advocate of painting directly from nature. In 1874 he exhibited with the Impressionists, but, unlike those painters, he was not an innovator, and from 1863 to 1897 he exhibited regularly in the official Salon. His favourite subjects were beach scenes and seascapes, which show remarkable sensitivity to effects of atmosphere; on the backs of his paintings he recorded the weather, light, and time of day. His works link the careful naturalism of the mid 19th century and the brilliant colours and fluid brushwork of Impressionism.
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