100% hand painted, 100% cotton canvas, 100% money back if not satisfaction.
Giovanni Bellini
Italian High Renaissance Painter, ca.1430-1516
(b ?1431-6; d Venice, 29 Nov 1516). Painter and draughtsman, son of (1) Jacopo Bellini. Although the professional needs of his family background may have encouraged him to specialize at an early date in devotional painting, by the 1480s he had become a leading master in all types of painting practised in 15th-century Venice. Later, towards the end of his long life, he added the new genres of mythological painting and secular allegory to his repertory of subject-matter. His increasing dominance of Venetian art led to an enormous expansion of his workshop after c. 1490; and this provided the training-ground not only for his numerous shop-hands and imitators (generically known as Belliniani) but probably also for a number of major Venetian painters of the next generation. Throughout his career, Giovanni showed an extraordinary capacity for absorbing a wide range of artistic influences, both from within Venetian tradition and from outside. He also oversaw a technical revolution in the art of painting, involving the gradual abandonment of the traditional Italian use of egg tempera in favour of the technique of oil painting pioneered in the Netherlands. It was thanks to Giovanni Bellini that the Venetian school of painting was transformed during the later 15th century from one mainly of local significance to one with an international reputation. He thus set the stage for the triumphs of Venetian painting in the 16th century and for the central contribution that Venice was to make to the history of European art.
100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
Giovanni Bellini Doge Leonardo Loredan
new12/LEONARDO da Vinci-475599.jpg mk137
ca.1501-1505 oil and Tempera on poplar wood. 61x45cm The nationally
Gallery, London
Giovanni Bellini st.francis in ecstasy
new20/Giovanni Bellini-827855.jpg mk247
c.1480,oil and tempera on poplar panel,49x56 in,125x142 cm,frick collection,new york,ny,usa
Giovanni Bellini the doge leonardo
new20/Giovanni Bellini-442844.jpg mk247
1501 to 04,oil on poplar,24.375x17.75 in,62x45 cm,national,gallery,london,uk
Giovanni Bellini Naked Young Woman in Front of the Mirror
new20/Giovanni Bellini-282975.jpg Naked Young Woman in Front of the Mirror, Bellini's first female nude, painted when he was about 85 years old.
Giovanni Bellini Transfiguration of Christ
new20/Giovanni Bellini-674929.jpg Transfiguration of Christ, c. 1487; Oil on panel; Museo Capodimonte, Naples
Giovanni Bellini San Zaccaria Altarpiece
new20/Giovanni Bellini-833467.jpg San Zaccaria Altarpiece, 1505; Oil on canvas, transferred from panel; San Zaccaria, Venice
Giovanni Bellini The Feast of the Gods
new20/Giovanni Bellini-776425.jpg The Feast of the Gods, c. 1514 completed by his disciple, Titian, 1529; Oil on canvas; National Gallery of Art, Washington
Giovanni Bellini St. Francis in Ecstasy
new20/Giovanni Bellini-766827.jpg St. Francis in Ecstasy,1480; Oil and tempera on panel; Frick Collection, New York
Italian High Renaissance Painter, ca.1430-1516
(b ?1431-6; d Venice, 29 Nov 1516). Painter and draughtsman, son of (1) Jacopo Bellini. Although the professional needs of his family background may have encouraged him to specialize at an early date in devotional painting, by the 1480s he had become a leading master in all types of painting practised in 15th-century Venice. Later, towards the end of his long life, he added the new genres of mythological painting and secular allegory to his repertory of subject-matter. His increasing dominance of Venetian art led to an enormous expansion of his workshop after c. 1490; and this provided the training-ground not only for his numerous shop-hands and imitators (generically known as Belliniani) but probably also for a number of major Venetian painters of the next generation. Throughout his career, Giovanni showed an extraordinary capacity for absorbing a wide range of artistic influences, both from within Venetian tradition and from outside. He also oversaw a technical revolution in the art of painting, involving the gradual abandonment of the traditional Italian use of egg tempera in favour of the technique of oil painting pioneered in the Netherlands. It was thanks to Giovanni Bellini that the Venetian school of painting was transformed during the later 15th century from one mainly of local significance to one with an international reputation. He thus set the stage for the triumphs of Venetian painting in the 16th century and for the central contribution that Venice was to make to the history of European art.
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