100% hand painted, 100% cotton canvas, 100% money back if not satisfaction.
Quentin Matsys
Flemish Northern Renaissance Painter, ca.1465-1530,Flemish painter. After studying in Louvain, he moved to Antwerp by 1491, remaining in that city throughout his life. Influences of Italian art, especially of Leonardo da Vinci, may be seen in his work, particularly in the delicate modeling, the subtle nuances of tone, and in the adoption of Leonardo's grotesque head studies for such pictures as The Old Man (Jacquemart-Andre Mus., Paris) and Ugly Duchess (National Gall., London). Massys sought inspiration also in works of earlier Flemish artists, especially of Jan van Eyck. The combined Flemish and Italian influences aided Massys in evolving a calm and measured style, with solid figures and soft textures. He developed a type of portraiture in which the sitter was placed against an appropriate background, as in his painting of St. Erasmus surrounded by books and papers (National Gall., Rome). There are religious subjects and portraits by Massys in the museums of Munich, Brussels, Antwerp, Chicago, and Philadelphia. Quentin's son, Jan Massys, c.1509?C1575, painted satirical and later more elegant works under French influence. Judith (Mus. of Fine Arts, Boston) is characteristic. Another son, Cornelis Massys, d. after 1560, was a landscape painter and engraver.
100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
Quentin Matsys The Moneylender and his Wife
new21/Quentin Matsys-983884.jpg The Moneylender and his Wife (1514)
Oil on panel, 71 x 68 cm
Mus??e du Louvre, Paris
Quentin Matsys Virgin and Child
new24/Quentin Matsys-448976.jpg Date 1529(1529)
Medium Oil on wood
Dimensions Height: 68 cm (26.8 in). Width: 51 cm (20.1 in).
cjr
Quentin Matsys The Lamentation
new24/Quentin Matsys-675569.jpg Date first half of 16th century
Medium Oil on panel
Dimensions 96 x 126.5 cm (37.8 x 49.8 in)
cjr
Quentin Matsys Madonna and Child with the Lamb
new24/Quentin Matsys-688399.jpg 1513(1513)
Medium Oil on wood
Dimensions 110 x 87 cm (43.3 x 34.3 in)
cyf
Quentin Matsys St Anne Altarpiece
new25/Quentin Matsys-393665.jpg Date between 1507(1507) and 1508(1508)
Medium Oil on wood
Dimensions Height: 224.5 cm (88.4 in). Width: 219 cm (86.2 in). (centre)
cjr
Quentin Matsys St Anne Altarpiece
new25/Quentin Matsys-983859.jpg Date between 1507(1507) and 1508(1508)
Medium Oil on wood
Dimensions Height: 220 cm (86.6 in). Width: 92 cm (36.2 in). (each wing)
cjr
Quentin Matsys The Virgin and Child Enthroned, with Four Angels
new25/Quentin Matsys-369359.jpg oil on oak
Dimensions Height: 62.2 cm (24.5 in). Width: 43.2 cm (17 in).
cjr
Quentin Matsys Portrait of an Old Man
new25/Quentin Matsys-784484.jpg 1517(1517)
Medium oil on panel
Dimensions Height: 48 cm (18.9 in). Width: 37 cm (14.6 in).
cyf
Quentin Matsys Portrait of Pieter Gillis
new25/Quentin Matsys-867995.jpg 1517(1517)
Medium Oil on panel, transferred to canvas
Dimensions Height: 59 cm (23.2 in). Width: 47 cm (18.5 in).
cyf
Quentin Matsys The Virgin and Child
new25/Quentin Matsys-533895.jpg c. 1529(1529)
Medium oil on oak panel
Dimensions Height: 75 cm (29.5 in). Width: 63 cm (24.8 in).
cjr
Flemish Northern Renaissance Painter, ca.1465-1530,Flemish painter. After studying in Louvain, he moved to Antwerp by 1491, remaining in that city throughout his life. Influences of Italian art, especially of Leonardo da Vinci, may be seen in his work, particularly in the delicate modeling, the subtle nuances of tone, and in the adoption of Leonardo's grotesque head studies for such pictures as The Old Man (Jacquemart-Andre Mus., Paris) and Ugly Duchess (National Gall., London). Massys sought inspiration also in works of earlier Flemish artists, especially of Jan van Eyck. The combined Flemish and Italian influences aided Massys in evolving a calm and measured style, with solid figures and soft textures. He developed a type of portraiture in which the sitter was placed against an appropriate background, as in his painting of St. Erasmus surrounded by books and papers (National Gall., Rome). There are religious subjects and portraits by Massys in the museums of Munich, Brussels, Antwerp, Chicago, and Philadelphia. Quentin's son, Jan Massys, c.1509?C1575, painted satirical and later more elegant works under French influence. Judith (Mus. of Fine Arts, Boston) is characteristic. Another son, Cornelis Massys, d. after 1560, was a landscape painter and engraver.
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