100% hand painted, 100% cotton canvas, 100% money back if not satisfaction.
Luca Signorelli
Crtona 1441-1523
.Italian painter of the Umbrian school, who probably studied with Piero della Francesca. He worked in Cortona, where some of his paintings have remained. Subsequently he worked in the Cathedral of Perugia, in Volterra, and at Monte Oliveto before undertaking (1499) the decoration of the Cappella Nuova in the Orvieto Cathedral. There he represented the apocalyptic series of the Story of the Anti-Christ, the End of the World, the Resurrection of the Bodies, Paradise, and the Inferno, as well as figurations from antique poems and the Divine Comedy. The infernal scenes are remarkable for their imaginative evocation of fiends and tortures of Hell. Michelangelo was influenced by his powerful treatment of anatomy and the vivid realism he used for dramatic ends. Signorelli's paintings in the Vatican, where he went in 1508, were later sacrificed to make way for some of Raphael's work.
100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
Luca Signorelli Portrait of a Lawyer (mk08)
new6/Luca Signorelli-778964.jpg c.1490-1500
Oil on wood,
50x32cm
Berlin Gemaldegalerie,Staatliche
Museen zu Berli-Preubischer
Kulturbesitz
Luca Signorelli The Damned Cast in Hell (mk08)
new6/Luca Signorelli-575645.jpg 1499-1503
Fresco totao width.
c.670cm
Orvieto,Duomo,Cappella di San Brizio
Luca Signorelli The Flagellation of Christ (nn03)
new8/Luca Signorelli-685363.jpg c 1490 Oil on panel 85.5 x 62 cm 33 1/4 x 24 3/8 in Pinaoteca di Brera Milan
Luca Signorelli Testament and death Moses
new12/Luca Signorelli-667783.jpg mk148
In the foreground, Mose Josum (to the left) sets as its successor a before he delivers (to the right) its legacy; in the background the funeral ceremony on the mountain Nebo
Luca Signorelli Teach and deeds of the Antichrist
new12/Luca Signorelli-335572.jpg mk148
The painting shows the traditional Christian presentation that the Antichrist (right foreground on socket) the shape Christs will suppose
Luca Signorelli The Madonna and the Nino with prophets
new16/Luca Signorelli-754289.jpg mk166
Final of the fifteenth century or principles of the XV
I Wave on board of wood
170x1175cm
Crtona 1441-1523
.Italian painter of the Umbrian school, who probably studied with Piero della Francesca. He worked in Cortona, where some of his paintings have remained. Subsequently he worked in the Cathedral of Perugia, in Volterra, and at Monte Oliveto before undertaking (1499) the decoration of the Cappella Nuova in the Orvieto Cathedral. There he represented the apocalyptic series of the Story of the Anti-Christ, the End of the World, the Resurrection of the Bodies, Paradise, and the Inferno, as well as figurations from antique poems and the Divine Comedy. The infernal scenes are remarkable for their imaginative evocation of fiends and tortures of Hell. Michelangelo was influenced by his powerful treatment of anatomy and the vivid realism he used for dramatic ends. Signorelli's paintings in the Vatican, where he went in 1508, were later sacrificed to make way for some of Raphael's work.
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