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POTTER, Paulus
Cows in a Meadow af
new1/POTTER, Paulus1.jpg
Oil on canvas
Rijksmuseum, Amsterdam
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POTTER, Paulus
Diederik Tulp af
new1/POTTER, Paulus2.jpg
1653
Oil on canvas
Collection Six, Amsterdam
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POTTER, Paulus
Four Bulls qgq
new1/POTTER, Paulus3.jpg
Oil on wood, 57,5 x 67,5 cm
Galleria Sabauda, Turin
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POTTER, Paulus
Horses in a Field zg
new1/POTTER, Paulus5.jpg
Oil on canvas
Rijksmuseum, Amsterdam
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POTTER, Paulus
Peasant Family with Animals F
new1/POTTER, Paulus6.jpg
1646
Oil on wood, 37,1 x 29,5 cm
Alte Pinakothek, Munich
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POTTER, Paulus
Resting Herd a
new1/POTTER, Paulus7.jpg
1652
Oil on oak, 35,5 x 46,5 cm
Gemäldegalerie, Dresden
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POTTER, Paulus
Landscape with Shepherdess and Shepherd Playing Flute af
new1/POTTER, Paulus8.jpg
1642-44
Oil on wood, 67 x 114,5 cm
Museum of Fine Arts, Budapest
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POTTER, Paulus
Landscape with Shepherdess Shepherd Playing Flute (detail) ad
new1/POTTER, Paulus9.jpg
1642-44
Oil on wood
Museum of Fine Arts, Budapest
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POTTER, Paulus
The Spotted Horse af
new1/POTTER, Paulus10.jpg
Oil on wood, 30 x 41 cm
Mus??e du Louvre, Paris
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POTTER, Paulus
The Farm af
new1/POTTER, Paulus11.jpg
1649
Oil on panel, 81 x 116 cm
The Hermitage, St. Petersburg
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POTTER, Paulus
Young Bull zg
new1/POTTER, Paulus12.jpg
1647
Oil on canvas, 236 x 339 cm
Mauritshuis, The Hague
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POTTER, Paulus
Two Cows a Young Bull beside a Fence in a Meadow
new5/POTTER, Paulus-496385.jpg
1647
Oil on panel
Art Institute of Chicago
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POTTER, Paulus
The Bull
new5/POTTER, Paulus-677764.jpg
1649
Gemäldegalerie, Berlin.
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POTTER, Paulus
A Farm
new5/POTTER, Paulus-776982.jpg
1649
Oil on panel
The Hermitage, St. Petersburg.
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POTTER, Paulus
Watchdog
new5/POTTER, Paulus-262279.jpg
Oil on canvas
The Hermitage, St. Petersburg.
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POTTER, Paulus
The Piebald Horse
new5/POTTER, Paulus-887673.jpg
1650-54
Oil on canvas
J. Paul Getty Museum, Los Angeles.
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POTTER, Paulus
Two Drafthorses in Front of a Cottage (mk05)
new6/POTTER, Paulus-826937.jpg
1649
Wood 9 1/2 x 10 1/4''(24 x 26 cm)Seized in the Revolution INV
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POTTER, Paulus
Peasant Family with Animals (mk08)
new7/POTTER, Paulus-984625.jpg
1646
Oil on panel
37.1x29.5cm
Munich,Bayerische Staatsgemalde-sammlungen,Alte Pinakothek
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POTTER, Paulus
Watchdog
new3/POTTER, Paulus-244323.jpg
mk60
Oil on canvas
38x52"
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POTTER, Paulus
A Farm
new3/POTTER, Paulus-348564.jpg
mk60
1649
Oil on panel
32x45 1/2'
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POTTER, Paulus
Four Bulls
new4/POTTER, Paulus-644675.jpg
mk68
Oil on wood
Turin,Sabauda Gallery
1649
Netherlands
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POTTER, Paulus
Four Bull
new4/POTTER, Paulus-234252.jpg
mk68
1649
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POTTER, Paulus
Young Bull
new4/POTTER, Paulus-259529.jpg
nn07
1647
Oil on canvas, 236 x 339 cm
Mauritshuis, The Hague
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POTTER, Paulus
Peasant Family with Animals
new9/POTTER, Paulus-894994.jpg
mk86
c1646
Oil on panel
37.1x29.5cm
Munich,Bayerische Staatsgemalde-sammlungen,Alte Pinakothek
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POTTER, Paulus
Three Cows in a Pasture
new16/POTTER, Paulus-657238.jpg
mk156
1648
Oil on canvs
23.2x29.5cm
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POTTER, Paulus
Young Bull
new16/POTTER, Paulus-397933.jpg
mk156
1647
Oil on canvas
236x339cm
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POTTER, Paulus
The Farm
new16/POTTER, Paulus-336757.jpg
mk159
1649
Oil on panel
81x115.5cm
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POTTER, Paulus
A Landscape with Cows,sheep and horses by a Barn
new16/POTTER, Paulus-845746.jpg
mk170
1651
Oil on
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POTTER, Paulus
A geschecktes horse
new17/POTTER, Paulus-426348.jpg
mk178
1653 oils on linen
60.5x41cm
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POTTER, Paulus
the bull
new20/POTTER, Paulus-558995.jpg
1647,oil on canvas,92.75x113.375 in,235.5x339 cm,mauritshuis,the hague,netherlands
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POTTER, Paulus
Dutch Baroque Era Painter, 1625-1654
Son of Pieter Potter. He was related through his mother, Aechtie Pouwels (d 1636), to the wealthy and powerful von Egmont and Semeyns families, who held important offices in Enkhuizen and at the court in The Hague. He worked in his father's studio in Amsterdam during the 1630s and, like him, painted history subjects that show the strong influence of Claes Moeyaert, with whom Paulus may also have studied. In the painting Abraham Returning from Canaan he adapted the landscape setting from an etching by Moses van Uyttenbroeck and the figures from works by Moeyaert from over ten years earlier. Significantly, however, he redistributed the numerous animals and figures that Moeyaert had aligned evenly across the frontal plane; Potter placed them to one side, permitting a view into the deep distance where other animals can be seen. Potter followed his father more than Moeyaert in searching for ways to integrate his figures with the landscape,
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