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Cornelis van Poelenburch
Portrait of a Young Girl
new25/Cornelis van Poelenburch-358533.jpg
Date first half of 17th century
Medium Oil on wood
Dimensions Height: 21 cm (8.3 in). Width: 17 cm (6.7 in).
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Cornelis van Poelenburch
Children of Frederick V Prince Elector of Pfalz and King of Bohemia
new25/Cornelis van Poelenburch-966464.jpg
1628(1628)
Medium Oil on wood
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Cornelis van Poelenburch
Portrait of a Young Girl
new25/Cornelis van Poelenburch-966644.jpg
first half of 17th century
Medium Oil on wood
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Cornelis van Poelenburch
Portrait of Jan Both
new25/Cornelis van Poelenburch-889748.jpg
1648(1648)
Medium oil on copper
Dimensions 17 x 13.5 cm (6.7 x 5.3 in)
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Cornelis van Poelenburch
Portrait of a Young Girl
new25/Cornelis van Poelenburch-933943.jpg
first half of 17th century
Medium oil on panel
Dimensions Height: 21 cm (8.3 in). Width: 17 cm (6.7 in).
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Cornelis van Poelenburch
View of the Campo Vaccino
new25/Cornelis van Poelenburch-733398.jpg
1620(1620)
Dimensions Height: 40 cm (15.7 in). Width: 55 cm (21.7 in).
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Cornelis van Poelenburch
Mercury and Herse
new25/Cornelis van Poelenburch-539534.jpg
c. 1620(1620)
Medium oil on panel
Dimensions Height: 18 cm (7.1 in). Width: 27 cm (10.6 in).
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Cornelis van Poelenburch
Entrance of a Grotto
new26/Cornelis van Poelenburch-756446.jpg
between 1624(1624) and 1630(1630)
Medium oil on panel
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Cornelis van Poelenburch
(1594 - 12 August 1667) was a Dutch Golden Age landscape painter.
Though his birthplace is unknown, a signed document survives in Utrecht where he is listed as six years old and the son of Simon van Poelenburch, a Catholic canon in Utrecht.He initially trained with Abraham Bloemaert, and his earliest signed paintings are from 1620.He traveled to Rome where he was influenced by Adam Elsheimer and became a founding member of the Bentvueghels. He counted a few cardinals under his patrons, and was called to England by Charles I of England, for whom he made small cabinet pieces. He returned to Utrecht where he later died just a few years after his old teacher Abraham Bloemaert.He painted mostly small landcapes with mythical or religious figures or passages, in a style that would later be evident in some of the works of Claude Lorraine.
His "most important and successful" pupils were Daniël Vertangen, Dirck van der Lisse, François Verwilt, and Jan van Haensbergen. Arnold Houbraken claimed that his best pupil was Joan vander Lis from Breda (not Dirk vander Lis from The Hague). Houbraken then mentioned Vertangen, Verwilt, Warnard van Rysen from Bommel, and Willem van Steenree, a nephew. The RKD also mentions Laurens Barata.
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