100% hand painted, 100% cotton canvas, 100% money back if not satisfaction.
Alessandro Turchi
(1578 - 22 January 1649) was an Italian painter of the early Baroque, born and active mainly in Verona, and moving late in life to Rome. He also went by the name Alessandro Veronese or the nickname L'Obetto.
Turchi initially trained with Felice Riccio (il Brusasorci) in Verona. By 1603, he is already working as independent painter, and in 1606-1609, Turchi paints the organ shutters for the Filarmonica Academy of Verona. When Brusasorci dies in 1605, Turchi and his fellow Paschal Ottino (or Pasquale) complete a series of their deceased master's canvases. In 1610, he completes an Assumption altarpiece for the church of San Luca of Verona In 1612, the Veronese Guild of the Goldsmiths commissions an altarpiece, today lost, of the Madonna and Saints. On leaving the school of Riccio, he went to Venice, where he worked for a time under Curio Cagliari.
100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
Alessandro Turchi The Lamentation over the Dead Christ
new24/Alessandro Turchi-455467.jpg Date 1617(1617)
Medium Oil on slate
Dimensions Height: 42 cm (16.5 in). Width: 53 cm (20.9 in).
cjr
Alessandro Turchi Template:The Raising of Lazarus
new25/Alessandro Turchi-764775.jpg Date 1617(1617)
Medium Oil on slate
Dimensions Height: 36 cm (14.2 in). Width: 27 cm (10.6 in).
cjr
Alessandro Turchi Saint Agatha Attended by Saint Peter and an Angel in Prison
new26/Alessandro Turchi-659537.jpg circa between 1640(1640) and 1645(1645) (Baroque)
Medium oil on slate
cyf
(1578 - 22 January 1649) was an Italian painter of the early Baroque, born and active mainly in Verona, and moving late in life to Rome. He also went by the name Alessandro Veronese or the nickname L'Obetto.
Turchi initially trained with Felice Riccio (il Brusasorci) in Verona. By 1603, he is already working as independent painter, and in 1606-1609, Turchi paints the organ shutters for the Filarmonica Academy of Verona. When Brusasorci dies in 1605, Turchi and his fellow Paschal Ottino (or Pasquale) complete a series of their deceased master's canvases. In 1610, he completes an Assumption altarpiece for the church of San Luca of Verona In 1612, the Veronese Guild of the Goldsmiths commissions an altarpiece, today lost, of the Madonna and Saints. On leaving the school of Riccio, he went to Venice, where he worked for a time under Curio Cagliari.
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