100% hand painted, 100% cotton canvas, 100% money back if not satisfaction.
Johann Georg Ziesenis
(b Copenhagen, 1716; d Hannover, 4 March 1776). German painter of Danish birth. He trained with his father, Johann Georg Ziesenis (1681-1748); he became a German citizen in 1743 and subsequently was appointed court painter to Herzog Christian von Pfalz-Zweibrecken in Zweibrecken and, later, Mannheim. In the early 1750s he overcame his technical shortcomings by studying Flemish art, particularly the work of Rubens and van Dyck. He also introduced a new genre, the private court portrait. His portrait of Karl Philipp Theodor, Kurferst von der Pfalz (1757; Munich, Alte Pin.) is original in its intimate view of a nobleman posed at leisure in casual dress, seated in his private study.
100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
Johann Georg Ziesenis State Portrait of Prince William V of Orange
new24/Johann Georg Ziesenis-369893.jpg Date 18th century (before 1776)
Medium Oil on canvas
Dimensions 113 x 91 cm (44.5 x 35.8 in)
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Johann Georg Ziesenis Portrait of Princess Frederika Sophia Wilhelmina
new24/Johann Georg Ziesenis-558577.jpg 1768-1769
Oil on canvas
140 x 101 cm (55.1 x 39.8 in)
cjr
Johann Georg Ziesenis Portrait of Princess Frederika Sophia Wilhelmina
new24/Johann Georg Ziesenis-335548.jpg Oil on canvas
Dimensions 140 x 101 cm (55.1 x 39.8 in)
cyf
Johann Georg Ziesenis Portrait of Stadholder Willem V
new25/Johann Georg Ziesenis-849336.jpg Date ca. 1768-1769
Medium Oil on canvas
Dimensions 141 x 101 cm (55.5 x 39.8 in)
cjr
Johann Georg Ziesenis Portrait of Stadholder Willem V
new25/Johann Georg Ziesenis-474555.jpg 1768-1769
Medium Oil on canvas
Dimensions 141 x 101 cm (55.5 x 39.8 in)
cyf
(b Copenhagen, 1716; d Hannover, 4 March 1776). German painter of Danish birth. He trained with his father, Johann Georg Ziesenis (1681-1748); he became a German citizen in 1743 and subsequently was appointed court painter to Herzog Christian von Pfalz-Zweibrecken in Zweibrecken and, later, Mannheim. In the early 1750s he overcame his technical shortcomings by studying Flemish art, particularly the work of Rubens and van Dyck. He also introduced a new genre, the private court portrait. His portrait of Karl Philipp Theodor, Kurferst von der Pfalz (1757; Munich, Alte Pin.) is original in its intimate view of a nobleman posed at leisure in casual dress, seated in his private study.
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