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Giovanni Lanfranco
Giovanni Lanfranco, Resurrection
new21/Giovanni Lanfranco-424825.jpg
Giovanni Lanfranco, Resurrection, 1622
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Giovanni Lanfranco
Lighting display pipa player and two men playing anvil as percussion instruments.
new21/unknow artist-352383.jpg
mk270 a 15th centuty illumination showing a lute player and two men playing the anvil as a percussion instrument.
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Giovanni Lanfranco
Lute curriculum has five strings and 10 frets
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mk270 thi early 16th century ltalian lute has five courses of strings and ten frets.
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Giovanni Lanfranco
This Guoqin curriculum has six strings, there is one of the five kinds of match.
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mk270 the lute is instantly recognizable by its characteristic swelling pear shaped body and flat belly. this lute has six courses of strings, five of which are paired.
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Giovanni Lanfranco
Mary Magdalen Raised by Angels
new23/Giovanni Lanfranco-735468.jpg
c. 1616
Oil on canvas
109 x 78 cm
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Giovanni Lanfranco
Christ Served by Angels
new23/Giovanni Lanfranco-563869.jpg
c. 1616
Oil on canvas
100 x 126 cm
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Giovanni Lanfranco
Norandino and Lucina Discovered by the Ogre
new23/Giovanni Lanfranco-383846.jpg
1624(1624)
Oil on canvas
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Giovanni Lanfranco
Venus Playing the Harp
new24/Giovanni Lanfranco-935967.jpg
1630-34
Oil on canvas
214 x 150 cm
cjr
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Giovanni Lanfranco
Venus Playing the Harp
new24/Giovanni Lanfranco-955788.jpg
between 1630(1630) and 1634(1634)
Medium Oil on canvas
cyf
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Giovanni Lanfranco
Moses and the Messengers from Canaan
new25/Giovanni Lanfranco-378388.jpg
oil on canvas, 85-3/4 x 97 inches, at the J. Paul Getty Museum, Los Angeles
Date 1621-1624
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Giovanni Lanfranco
(26 January 1582 - 30 November 1647) was an Italian painter of the Baroque period.
Giovanni Gaspare Lanfranco was born in Parma, the third son of Stefano and Cornelia Lanfranchi, and was placed as a page in the household of Count Orazio Scotti His talent for drawing allowed him to begin an apprenticeship with the Bolognese artist Agostino Carracci, brother of Annibale Carracci, working alongside fellow Parmese Sisto Badalocchio in the local Farnese palaces. When Agostino died in 1602, both young artists moved to Annibale's large and prominent Roman workshop, which was then involved in working on the Galleria Farnese in the Palazzo Farnese gallery ceiling.
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