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paolo uccello
the battle of san romano
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mk247
begun c.1440,tempera on panel ,71x126 in(each panel),national gallery,uk uffizi,ltaly,louvre,france
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paolo uccello
the battle of san romano
new20/paolo uccello-954452.jpg
mk247
begun c.1440,tempera on panel ,71x126 in(each panel)national gallery,uk,uffizi,ltaly,louvre,france
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paolo uccello
the battle of san romano
new20/paolo uccello-334245.jpg
mk247
begun c.1440,tempera on panel ,71x126 in(each panel),national gallery,uk,uffizi,ltaly,louvre,france
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paolo uccello
Creation of the Animals and Creation of Adam
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Creation of the Animals and Creation of Adam; (Below) Creation of Eve and the Expulsion
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paolo uccello
A gothicizing tendency of Uccello art is nowhere more apparent than in Saint George and the Dragon
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A gothicizing tendency of Uccello's art is nowhere more apparent than in Saint George and the Dragon (c. 1456).
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paolo uccello
Niccolo Mauruzi da Tolentino at the Battle of San Romano,
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Paolo Uccello. Niccol?? Mauruzi da Tolentino at the Battle of San Romano, c. 1438?C1440. Egg tempera with walnut oil and linseed oil on poplar. 181.6 x 320 cm. London: National Gallery.
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paolo uccello
The Princess and the Dragon,
new21/paolo uccello-846854.jpg
The Princess and the Dragon, Paolo Uccello, c. 1470, a classic image of a damsel in distress.
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paolo uccello
A scene in Paolo Uccello Corpus Domini predella
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A scene in Paolo Uccello's Corpus Domini predella (c. 1465-1468), set in a Jewish pawnbroker's home. Blood in the background emanates from the Host, which the moneylender has attempted to cook, and seeps under the door. This story first entered the Italian literary tradition via Giovanni Villani (c. 1280?C1348) and his Nuova Cronica.
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paolo uccello
Portion of Paolo Uccello The Hunt
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Portion of Paolo Uccello's The Hunt (Ashmolean Museum)
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paolo uccello
(b Florence, c. 1397; d Florence, 10 Dec 1475). Italian painter, draughtsman, mosaicist and designer of stained glass. His work vividly illustrates the principal issues of Florentine art during the first half of the 15th century. Trained within the tradition of the Late Gothic style, he eventually became a leading exponent of the application of linear perspective based on the mathematical system established by Filippo Brunelleschi and Leon Battista Alberti. It is the merging of these two diametrically opposed tendencies that forms the basis of Uccello's style. As well as painting on panel and in fresco (many of his works in this medium have been severely damaged), he was also a master mosaicist and produced designs for stained glass.
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