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Xiamen Oil Paintings, Wholesale Direct!
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100% hand painted, 100% cotton canvas, 100% money back if not satisfaction. |
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Francesco Parmigianino1503 ~ 1540,Italian painter, draughtsman and printmaker. Beginning a career that was to last only two decades, he moved from precocious success in the shadow of Correggio in Parma to be hailed in the Rome of Clement VII as Raphael reborn. There he executed few large-scale works but was introduced to printmaking. After the Sack of Rome in 1527, he returned to northern Italy, where in his final decade he created some of his most markedly Mannerist works. Equally gifted as a painter of small panels and large-scale frescoes both sacred and profane, he was also one of the most penetrating portrait painters of his age. Throughout his career he was a compulsive draughtsman, not only of preparatory studies for paintings and prints, but also of scenes from everyday life and of erotica.
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100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
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| Click Image to Enlarge |
Francesco Parmigianino
Self-portrait in a Convex Mirror
new16/Francesco Parmigianino-868325.jpg
mk176
1524
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Francesco Parmigianino
Virgin and Child
new25/Francesco Parmigianino-563833.jpg
between 1525(1525) and 1527(1527)
Medium Oil on panel
cyf
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Francesco Parmigianino
Santa Trinita Altarpiece
new26/Francesco Parmigianino-949978.jpg
between 1455(1455) and 1460(1460)
Medium tempera and oil on wood
cyf
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Francesco Parmigianino
1503 ~ 1540,Italian painter, draughtsman and printmaker. Beginning a career that was to last only two decades, he moved from precocious success in the shadow of Correggio in Parma to be hailed in the Rome of Clement VII as Raphael reborn. There he executed few large-scale works but was introduced to printmaking. After the Sack of Rome in 1527, he returned to northern Italy, where in his final decade he created some of his most markedly Mannerist works. Equally gifted as a painter of small panels and large-scale frescoes both sacred and profane, he was also one of the most penetrating portrait painters of his age. Throughout his career he was a compulsive draughtsman, not only of preparatory studies for paintings and prints, but also of scenes from everyday life and of erotica.
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