100% hand painted, 100% cotton canvas, 100% money back if not satisfaction.
Domenico Tintoretto
Italian, 1560-1635,Son of Jacopo Tintoretto. He was taught by his father and assisted him in his workshop. At the age of 17 he was admitted to the Venetian painters' guild, and he is recorded in the confraternity of painters from 1594. He began his career by helping his father to execute the paintings in the Sala del Collegio and Sala del Senato in the Doge's Palace, Venice. Following this he worked independently at the palace, on the Sala dello Scrutinio and the Sala del Maggiore Consiglio. His training with his father helped him in his own compositions, several of which, such as the Battle of Salvore, or the Second Conquest of Constantinople, are heroic battle themes with complex groupings and dramatic poses. In the last two decades of the 16th century Domenico concentrated on religious commissions in Venice, including a Last Supper and Crucifixion (both c. 1583) for S Andrea della Zirada (both in situ), a Marriage of the Virgin for S Giorgio Maggiore (in situ) and a Crucifixion for the Scuola dei Mercanti.
100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
Domenico Tintoretto Tancred Baptizing Clorinda
new24/Domenico Tintoretto-573654.jpg Date c. 1585
Medium Oil on canvas
Dimensions 168 X 115 cm (66.14 X 45.28 in)
cyf
Domenico Tintoretto Portrait of a Gentleman
new24/Domenico Tintoretto-359442.jpg Portrait of a Gentleman, oil on canvas // Priv. coll
Date 16-17 c,
cjr
Domenico Tintoretto Portrait of Joannes Gritti
new24/Domenico Tintoretto-895539.jpg Domenico Tintoretto 002.jpg
Portrait of Joannes Gritti, oil on canvas// Priv. coll.
Date 16-17 c.
cjr
Italian, 1560-1635,Son of Jacopo Tintoretto. He was taught by his father and assisted him in his workshop. At the age of 17 he was admitted to the Venetian painters' guild, and he is recorded in the confraternity of painters from 1594. He began his career by helping his father to execute the paintings in the Sala del Collegio and Sala del Senato in the Doge's Palace, Venice. Following this he worked independently at the palace, on the Sala dello Scrutinio and the Sala del Maggiore Consiglio. His training with his father helped him in his own compositions, several of which, such as the Battle of Salvore, or the Second Conquest of Constantinople, are heroic battle themes with complex groupings and dramatic poses. In the last two decades of the 16th century Domenico concentrated on religious commissions in Venice, including a Last Supper and Crucifixion (both c. 1583) for S Andrea della Zirada (both in situ), a Marriage of the Virgin for S Giorgio Maggiore (in situ) and a Crucifixion for the Scuola dei Mercanti.
Wholesale China Oil Painting Wholesale Oil Painting China Xiamen Portrait Reproduction Chinese Oil Painting Wholesale USA Oil Painting