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Francis Hayman
Portrait of Mr and Mrs George Rogers
new16/Francis Hayman-285475.jpg
mk158
c.1751
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Francis Hayman
Portrait of a Man
new16/Francis Hayman-355894.jpg
mk158
c.1747
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Francis Hayman
Reigen der Milchmadchen oder das Manifest
new23/Francis Hayman-638359.jpg
c. 1735
137 ?? 234 cm
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Francis Hayman
Unknown woman
new24/Francis Hayman-844633.jpg
1745(1745)
Medium Oil on canvas
Dimensions 622 x 448 mm (24.49 x 17.64 in)
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Francis Hayman
Portrait of a Gentleman
new26/Francis Hayman-687569.jpg
c. 1750
Medium oil on canvas
Dimensions 25 x 30 1/8 in. (63.5 x 76.5 cm)
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Francis Hayman
Portrait of Francis Hayman
new26/Francis Hayman-584844.jpg
1760s
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Francis Hayman
Reigen der Milchmadchen oder das Manifest
new26/Francis Hayman-586787.jpg
c. 1735
Medium oil on canvas
Dimensions Deutsch: 137 x 234 cm
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Francis Hayman
Lord Clive meeting with Mir Jafar at the Battle of Plassey in 1757
new26/Francis Hayman-437863.jpg
circa 1760(1760)
Medium oil on canvas
Dimensions Height: 1,003 mm (39.49 in). Width: 1,270 mm (50 in).
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Francis Hayman
English Painter, 1708-1776,English painter and illustrator. He was in London at the age of 10, and from 1718 until c. 1725 he was apprenticed to Robert Brown (d 1753), a decorative painter. From 1732 Hayman was employed as a scene painter at Goodman's Fields Theatre, where he painted allegorical works such as The King Attended by Peace, with Liberty and Justice Trampling on Tyranny and Oppression on the pit ceiling (destr.). He moved to Drury Lane Theatre in 1736, shortly before the Licensing Act closed Goodman's Fields. At Drury Lane he painted scenery for Thomas Arne's masque The Fall of Phaeton (1736) and was praised for his naturalistic landscapes. From the late 1730s he began accepting commissions for portraits and conversation pieces. His success in the field of portraiture rested on the dearth of good portrait painters in England at the time and his exploitation of a growing middle-class clientele. Hayman painted portraits of doctors, literary men and actors.
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