100% hand painted, 100% cotton canvas, 100% money back if not satisfaction.
Raja Ravi Varma
1848-1906, Indian painter. He was the most important and one of the earliest Indian artists of the 19th century to work in oil paints. The subjects of his paintings were often mythological, but they were produced in a European historicist style. He absorbed the influence of such French 19th-century academic painters as William-Adolphe Bouguereau and Gustave Boulanger and of Indian contemporary popular theatre, specializing in the type of mythological paintings that found favour with Indian rajas and British administrators. His successful exploitation (from 1894) of the lithographic reproduction of his paintings ensured, for the first time in India, that the work of an individual artist could reach a mass market.
100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
Raja Ravi Varma The Lady in the picture is Mahaprabha Thampuratti of Mavelikara,
new21/Raja Ravi Varma-866739.jpg The Lady in the picture is Mahaprabha Thampuratti of Mavelikara, the artist's daughter and mother of HH Sethu Lakshmi Bayi
Raja Ravi Varma Ravi Varma Shakuntala, a character in the epic Mahabharata
new21/Raja Ravi Varma-677464.jpg Ravi Varma's Shakuntala, a character in the epic Mahabharata
Raja Ravi Varma Harischandra and Tharamathi
new24/Raja Ravi Varma-376873.jpg Harishchandra in cremation ground where Tharamathi comes with their dead son.
Oil on canvas
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Raja Ravi Varma Dissapointing News
new24/Raja Ravi Varma-759233.jpg Title English: Dissapointing News
മലയാളം: നിരാശാജനകമായ വാർത്ത
Description English: A lady looking sad after reading dissapointing news in letter.
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Raja Ravi Varma Sri Krishna as Envoy
new24/Raja Ravi Varma-349359.jpg English: Sri Krishna, in his role as an Envoy of Pandavas to the Kaurava Court.
മലയാളം: കൃഷ്ണൻ പാണ്ഡവരുടെ ദൂതനായി കൗരവ സഭയിൽ.
Date Unknown date
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1848-1906, Indian painter. He was the most important and one of the earliest Indian artists of the 19th century to work in oil paints. The subjects of his paintings were often mythological, but they were produced in a European historicist style. He absorbed the influence of such French 19th-century academic painters as William-Adolphe Bouguereau and Gustave Boulanger and of Indian contemporary popular theatre, specializing in the type of mythological paintings that found favour with Indian rajas and British administrators. His successful exploitation (from 1894) of the lithographic reproduction of his paintings ensured, for the first time in India, that the work of an individual artist could reach a mass market.
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