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James Abbott Mcneill Whistler
Miss Rosa Corder
new11/James Abbott Mcneill Whistler-392465.jpg
mk29
1875-78
Oil on canvas
192.4x92.4cm
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James Abbott Mcneill Whistler
Robert,Comte de Montesquiou-
new11/James Abbott Mcneill Whistler-956644.jpg
mk29
1891-92
Oil on canvas
208.6x91.8cm
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James Abbott Mcneill Whistler
Valerie,Lady Meux
new11/James Abbott Mcneill Whistler-653237.jpg
mk29
1881
Oil on canvas
193.7x93cm
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James Abbott Mcneill Whistler
Nocturne inblauw and silver of the lights of Cremorne
new16/James Abbott Mcneill Whistler-939359.jpg
MK169
1872
oil Paint on cloth 40x74cm
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James Abbott Mcneill Whistler
nocturne i svart och guld den fallande raketen
new20/James Abbott Mcneill Whistler-659246.jpg
mk248 wbistlers nocturne serie med bilder av tbemsen malades under 1870 talet ocb inspirerades av japanska tryck. fust denna nocturne, med sin stjarnstrodda bimmel. blev uppbovet till den beromda dispyten mellan wbistler ocb kritikern fobn ruskin
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James Abbott Mcneill Whistler
arrangemang i gratt och svart nr 1 konstnarens moder
new20/James Abbott Mcneill Whistler-462795.jpg
mk248 oinbjuden kom wbistlers foretagsamma, puritanska mor fran usa for att bo bos sin egen alskade fjaril i bans bem i cbelsea, ocb vid ett tillfalle nar ban saknade modell poserade bon for bonom. hon bade svart att sta. sa ban malade sin mor sittende i profil ocb skapade en ikon, wbistler malade benne som en stram komposition i subtila nyanser, finns ekon av de japanska trycken. som dominerande farg valde ban svart, blandad med sa mycket terpentin att fargen sjonk in i den obebandlade duken ocb darigenom far en lysterlos effekt som tilltalande bonom, det bor inte rada nagot tvivel om att det ar just wbistlers vagran att ingjuta berattelse eller kanslosambet i bilden som bar gjort portrattet av bans mor tidlost.
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James Abbott Mcneill Whistler
Nocturne in Black and Gold
new20/James Abbott Mcneill Whistler-794352.jpg
mk250 In the year 1892-1895. Oil on canvas, 60 x 47 cm. Detroit Detroit Institute of Arts
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James Abbott Mcneill Whistler
Arrangement in Gray Portrait of the Painter
new21/James Abbott Mcneill Whistler-768676.jpg
Arrangement in Gray: Portrait of the Painter
(self portrait, c. 1872), Detroit Institute of Arts
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James Abbott Mcneill Whistler
Portrait of Whistler with Hat
new21/James Abbott Mcneill Whistler-498349.jpg
Portrait of Whistler with Hat (1858), Freer Gallery of Art, Washington, D.C.
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James Abbott Mcneill Whistler
Symphony in White,
new21/James Abbott Mcneill Whistler-488788.jpg
Symphony in White, No. 1: The White Girl (1862), The National Gallery of Art, Washington, D.C.
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James Abbott Mcneill Whistler
Nocturne
new21/James Abbott Mcneill Whistler-232633.jpg
Nocturne: Blue and Gold - Old Battersea Bridge (1872), Tate Britain, London, England
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James Abbott Mcneill Whistler
Arrangement in Grey and Black
new21/James Abbott Mcneill Whistler-459257.jpg
Arrangement in Grey and Black: The Artist's Mother (1871), popularly known as Whistler's Mother, Mus??e d'Orsay, Paris
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James Abbott Mcneill Whistler
Nocturne in Black and Gold
new21/James Abbott Mcneill Whistler-876637.jpg
Nocturne in Black and Gold: The Falling Rocket (1874),
Detroit Institute of Arts
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James Abbott Mcneill Whistler
Mother of pearl and silver
new21/James Abbott Mcneill Whistler-735544.jpg
Mother of pearl and silver: The Andalusian (1888-1900), National Gallery of Art, Washington, D.C
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James Abbott Mcneill Whistler
Old Battersea Beach
new26/James Abbott Mcneill Whistler-545469.jpg
1863(1863)
Medium oil on canvas
Dimensions 50.8 X 68.6 cm
cyf
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James Abbott Mcneill Whistler
Trouville
new26/James Abbott Mcneill Whistler-789368.jpg
1865(1865)
Medium oil on canvas
Dimensions 51.5 X 76.9 cm
cyf
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James Abbott Mcneill Whistler
George W Vanderbilt
new26/James Abbott Mcneill Whistler-999985.jpg
1897/1903
Medium oil on canvas
Dimensions 208.6 x 91.1 cm
cyf
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James Abbott Mcneill Whistler
American Tonalist Painter and Printmaker, 1834-1903, He was an American-born, British-based artist. Averse to sentimentality and moral allusion in painting, he was a leading proponent of the credo "art for art's sake". His famous signature for his paintings was in the shape of a stylized butterfly possessing a long stinger for a tail.
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