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Carl Rottmann
Sicyon and Corinth
new9/Carl Rottmann-948543.jpg
mk87
c.1836-1838
Oil on canvas
85.2x102cm
Munich,Bayerische Staatsgemaldesammlungen,Neue Pinakothek
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Carl Rottmann
The Battlefield of Marathon
new12/Carl Rottmann-724533.jpg
mk137
c.1849
Oil on canvas
91x90.5cm
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Carl Rottmann
Sicyon and Corinth
new16/Carl Rottmann-966338.jpg
mk156
c.1836-1838
Oil on canvas
85.2x102cm
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Carl Rottmann
Marathon
new16/Carl Rottmann-465865.jpg
157 x 200 cm
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Carl Rottmann
Cefalu
new16/Carl Rottmann-344543.jpg
1830
Oil on canvas,
63 x 79 cm
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Carl Rottmann
Inntal bei Neubeuern
new25/Carl Rottmann-477648.jpg
1823(1823)
Medium Oil on canvas
Dimensions 32 x 46 cm (12.6 x 18.1 in)
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Carl Rottmann
Die Insel Delos
new25/Carl Rottmann-994898.jpg
1847(1847)
Medium oil on paperboard
Dimensions 35,5 x 45,5 cm
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Carl Rottmann
Landscape on the island of Aegina
new26/Carl Rottmann-649385.jpg
Oil on canvas
Dimensions 57 x 57 cm
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Carl Rottmann
Ruin of a chapel near a river with rising moon
new26/Carl Rottmann-347438.jpg
1820(1820)
Medium oil on canvas mounted on panel
Dimensions 36 x 44 cm
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Carl Rottmann
German,1797-1850
was a German landscape painter and the most famous member of the Rottmann family of painters. Rottmann belonged to the circle of artists around the Ludwig I of Bavaria, who commissioned large landscape paintings exclusively from him. He is best known for mythical and heroising landscapes. The landscape painter Karl Lindemann-Frommel belonged to his school. Carl Anton Joseph Rottmann was born in Handschuhsheim (today a part of Heidelberg) on January 11, 1797. There he received his first drawing lessons from his father, Friedrich Rottmann, who taught drawing at the university in Heidelberg. In his first artistic period he painted atmospheric phenomena. In 1821 he moved to Munich, where his second period began, and in 1824 he married Friedericke, the daughter of his uncle, Friedrich Ludwig von Sckell, who served as an attendant at court. This connection cleared the way for an acquaintance with King Ludwig, who in 1826-27 sponsored his travels in Italy in order to widen his repertoire, which up to that point consisted solely of domestic, German, landscapes. Upon his return he received from King Ludwig I a commission for a monumental cycle of Italian landscapes in the arcade of the Munich Hofgarten. The cycle, completed in 1833 in fresco, gave visual expression to Ludwiges alliance with Italy, and raised the genre of landscape painting to the height of history painting, the preferred mode of the Kinges other great commissions for monumental painting.
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