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Andrea del Verrocchio
Italian Early Renaissance Sculptor, ca.1435-1488
Florentine sculptor and painter, whose real name was Andrea di Michele di Francesco di Cioni. He was a leading figure in the early Renaissance, and his workshop was a center for the training of young artists in Florence. A virtuoso metalworker, Verrocchio was primarily concerned with the spirited rendering of movement and the elaboration of detail. Many of his paintings are lost. Of the remaining panels, his hand is evident in the Baptism of Christ (Uffizi), assisted by Leonardo da Vinci. In the Pistoia altarpiece he was aided by Lorenzo di Credi. Other attributions are Tobias and the Angel (National Gall., London), two paintings of the Madonna and Child (National Gall., London; Berlin), and a Crucifixion with Saints (Argiano). Most of Verrocchio's achievements in sculpture have survived. His earlier work includes the bold group Incredulity of St. Thomas (Orsanmichele). In 1472 he designed the tombs of Piero and Giovanni de' Medici (San Lorenzo). In the same period he created the graceful Boy with a Dolphin and a lithe portrayal of David (Bargello). He went to Venice (c.1480) to work on the equestrian monument of the condottiere Bartolomeo Colleoni.
100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
Andrea del Verrocchio The Baptism of Christ
new9/Andrea del Verrocchio-475627.jpg mk86
c.1475
Tempera on wood
177x151cm
Florence,
Galleria degli Uffizi.
Andrea del Verrocchio Reiterportrat of Niccolo there Tolentino
new12/Andrea del Verrocchio-256299.jpg mk137
1456 Ubertragenes frescos 833x512cm II Duomo, Florence
Andrea del Verrocchio Halfte second women head
new12/Andrea del Verrocchio-426564.jpg mk137
the 15. century metal pencil feather and brush Weibhohungen 26.7x22.4cm muse you
Louvre, Paris
Andrea del Verrocchio Madonna with Sts John the Baptist and Donatus Cathedral of Pistoia
new21/Andrea del Verrocchio-267793.jpg Madonna with Sts John the Baptist and Donatus (1475-83), Cathedral of Pistoia
Andrea del Verrocchio Madonna with Child,
new21/Andrea del Verrocchio-837293.jpg Madonna with Child, c. 1470, Verrocchios's workshop. New York, Metropolitan Museum of Art.
Andrea del Verrocchio Verrocchio
new23/Andrea del Verrocchio-664795.jpg Year Deutsch: um 1475
English: c. 1475
Technique Oil on panel
Dimensions Deutsch: 177 X 151 cm
Andrea del Verrocchio Baptism of Christ
new24/Andrea del Verrocchio-665959.jpg Date from 1470(1470) until 1475(1475)
Medium Oil and tempera on panel
Dimensions Width: 152 cm (59.84 in). Height: 180 cm (70.87 in).
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Andrea del Verrocchio Baptism of Christ
new24/Andrea del Verrocchio-687445.jpg Date ca. 1475(1475)
Medium Oil on panel
Dimensions 177 X 151 cm (69.68 X 59.45 in)
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Andrea del Verrocchio Tobias und der Engel
new24/Andrea del Verrocchio-649385.jpg Date 1470 - 1475
Medium Oil on panel
Dimensions Deutsch: 84 ?? 66 cm
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Andrea del Verrocchio Baptism of Christ
new25/Andrea del Verrocchio-898454.jpg VERROCCHIO, Andrea del The Baptism of Christ
Oil on wood, 177 x 151 cm
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Andrea del Verrocchio Mary with the Child
new25/Andrea del Verrocchio-694866.jpg Date 15th cent.
Medium Oil on poplar
Dimensions Height: 67.3 cm (26.5 in). Width: 49.4 cm (19.4 in).
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Italian Early Renaissance Sculptor, ca.1435-1488
Florentine sculptor and painter, whose real name was Andrea di Michele di Francesco di Cioni. He was a leading figure in the early Renaissance, and his workshop was a center for the training of young artists in Florence. A virtuoso metalworker, Verrocchio was primarily concerned with the spirited rendering of movement and the elaboration of detail. Many of his paintings are lost. Of the remaining panels, his hand is evident in the Baptism of Christ (Uffizi), assisted by Leonardo da Vinci. In the Pistoia altarpiece he was aided by Lorenzo di Credi. Other attributions are Tobias and the Angel (National Gall., London), two paintings of the Madonna and Child (National Gall., London; Berlin), and a Crucifixion with Saints (Argiano). Most of Verrocchio's achievements in sculpture have survived. His earlier work includes the bold group Incredulity of St. Thomas (Orsanmichele). In 1472 he designed the tombs of Piero and Giovanni de' Medici (San Lorenzo). In the same period he created the graceful Boy with a Dolphin and a lithe portrayal of David (Bargello). He went to Venice (c.1480) to work on the equestrian monument of the condottiere Bartolomeo Colleoni.
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