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Clara Southern
An old bee farm
new9/Clara Southern-959999.jpg
mk80
c.1900
Oil on canvas
69.1x112.4cm
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Clara Southern
Landscape with cottage
new16/Clara Southern-926838.jpg
mk167
c.1900
Oil
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Clara Southern
The Yarra at Warrandyte
new24/Clara Southern-759999.jpg
The Yarra at Warrandyte (oil on canvas on board, 64.5 x 34.0 cm) by Clara Southern (1861-1940).
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Clara Southern
Yarra at Warrandyte
new24/Clara Southern-976493.jpg
oil on canvas on board, 64.5 x 34.0 cm) by Clara Southern
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Clara Southern
The Road to Warrandyte
new24/Clara Southern-596457.jpg
The Road to Warrandyte, painting, oil on canvas on board, 49.5 x 96.0 cm, by Clara Southern
Date circa 1905-1910
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Clara Southern
The Back of the Barn
new24/Clara Southern-875497.jpg
The Back of the Barn, painting, oil on canvas, 46.5 x 30.5 cm, by Clara Southern
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Clara Southern
Landscape with Cottage
new24/Clara Southern-687336.jpg
Landscape with Cottage, painting, oil on canvas, 34.4 x 21.7 cm, by Clara Southern
Date circa 1900
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Clara Southern
The Road to Warrandyte
new24/Clara Southern-973675.jpg
painting, oil on canvas on board, 49.5 x 96.0 cm, by Clara Southern
Date circa 1905-1910
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Clara Southern
The Back of the Barn
new24/Clara Southern-458587.jpg
oil on canvas, 46.5 x 30.5 cm, by Clara Southern
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Clara Southern
Landscape with Cottage
new24/Clara Southern-953547.jpg
oil on canvas, 34.4 x 21.7 cm, by Clara Southern
Date circa 1900
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Clara Southern
Australian artist, 1860-1940
Australian painter. One of the first generation of progressive, professionally educated Australian women artists, she began her training as a pupil of Mme Mouchette, painter, schoolmistress and founder of the Alliance Fran?aise in Melbourne; and later took lessons from Walter Withers. As a student at the National Gallery of Victoria (1883-7) she was nicknamed 'Panther' for her lithe beauty. From mid-1888 she shared a teaching studio with Jane Sutherland in the new purpose-built Grosvenor Chambers, where Tom Roberts was a neighbour. She had 'caught the "Impressionist" fever', reported Table Talk (2 Aug 1889), and showed 'a great variety of charming little sketches, which however are not intended for exhibition'. She showed with the Victorian Artists' Society (1889-1917): mainly subjects around Kyneton and Melbourne's outer suburbs, painted in the fresh, quasi-Impressionist style characteristic of the Heidelberg school.
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