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Eastman Johnson
THe Cranberry Harvest,Island of Nantucket
new4/Eastman Johnson-653477.jpg
mk77
1880
Oil on canvas
27 3/8x54 1/2in
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Eastman Johnson
The Boy Lincoln
new9/Eastman Johnson-556573.jpg
nn08
1868
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Eastman Johnson
The Lord Is My Shepherd
new11/Eastman Johnson-972785.jpg
mk136
Oil on canvas
about 1863
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Eastman Johnson
The Hatch Family
new12/Eastman Johnson-963876.jpg
mk139
Oil on canvas
1871
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Eastman Johnson
A Ride for Liberty
new12/Eastman Johnson-457726.jpg
mk140
circa 1862
Oil on board
55.8x66.4cm
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Eastman Johnson
Not at Home
new12/Eastman Johnson-289325.jpg
mk140
circa 1873
Oil on canvas
67.1x56.7cm
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Eastman Johnson
The Converstaion
new12/Eastman Johnson-666859.jpg
mk146
1879
Oil on canvas
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Eastman Johnson
Das Ahornzucker-Larger
new16/Eastman Johnson-473584.jpg
mk181
um 1865-73
Ol auf Holz
25.7x57.4cm
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Eastman Johnson
Das Leben im Suden
new16/Eastman Johnson-248549.jpg
mk181
1859
Ol auf Leinwand
91x119cm
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Eastman Johnson
Die Familie Brown
new16/Eastman Johnson-892856.jpg
mk181
1869
Ol auf Papier
auf Leinwand aufgezogen
59x72cm
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Eastman Johnson
Das Madchen,das ich Zurucklieb
new16/Eastman Johnson-825645.jpg
mk181
vor 1875
Ol auf Leinwand
106.7x88.7cm
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Eastman Johnson
The Letter Home
new17/Eastman Johnson-244988.jpg
mk195
1867
Oil on composition board
23x27
Musuem of Fine art
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Eastman Johnson
A Ride for Liberty-The Fugitive Slaves
new17/Eastman Johnson-885224.jpg
mk195
1862
Oil on board
22x26
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Eastman Johnson
The Pension Agent
new17/Eastman Johnson-992327.jpg
mk195
1867
Oil on canvas
25x37
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Eastman Johnson
Negro life at the South
new18/Eastman Johnson-734577.jpg
mk212
Oil on canvas
36x45in
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Eastman Johnson
A Ride for Liberty -- The Fugitive Slaves
new23/Eastman Johnson-566747.jpg
between 1860(1860) and 1864(1864)
Oil on paper board
55.8 x 66.4 cm (21.97 x 26.14 in)
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Eastman Johnson
The Sugar Camp
new24/Eastman Johnson-987365.jpg
"The Sugar Camp (also known as Making Maple Sugar or Susan Ray's Maple Sugaring Kitchen)," oil on paperboard, by the American artist Eastman Johnson. 14 in. x 23 in. Yale University Art Gallery, gift of Teresa Heinz in memory of her husband H. John Heinz III, B.A. 1960. Courtesy of Yale University, New Haven, Conn.
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Eastman Johnson
Fugitive Slaves
new24/Eastman Johnson-537466.jpg
Date between 1860(1860) and 1864(1864)
Medium Oil on paper board
Dimensions 55.8 X 66.4 cm (21.97 X 26.14 in)
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Eastman Johnson
Sugar Camp
new24/Eastman Johnson-555835.jpg
English: "The Sugar Camp (also known as Making Maple Sugar or Susan Ray's Maple Sugaring Kitchen)," oil on paperboard, by the American artist Eastman Johnson. 14 in. x 23 in. Yale University Art Gallery, gift of Teresa Heinz in memory of her husband H. John Heinz III, B.A. 1960. Courtesy of Yale University, New Haven, Conn.
Date circa 1861-1866
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Eastman Johnson
Negro Life at the South
new24/Eastman Johnson-569348.jpg
Negro Life at the South - Oil on canvas - 36 x 45.25 in
Date 1859(1859)
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Eastman Johnson
Union Soldiers Accepting a Drink
new24/Eastman Johnson-453734.jpg
Union Soldiers Accepting a Drink - Oil on canvas - 10.75 x 15.25 in - c 1865 - Scanned from Eastman Johnson: Painting America - fig 75 pg 139
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Eastman Johnson
Ojibwe Wigwam at Grand Portage
new24/Eastman Johnson-698595.jpg
Ojibwe Wigwam at Grand Portage - Oil on canvas 10.25 x 15.2 - 1857 - Scanned from
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Eastman Johnson
Fugitive Slaves
new25/Eastman Johnson-366689.jpg
Oil on paperboard - 22 x 26.25 in - c 1862
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Eastman Johnson
Union Soldiers Accepting a Drink
new25/Eastman Johnson-486993.jpg
Oil on canvas - 10.75 x 15.25 in - c 1865 - Scanned from Eastman Johnson: Painting America - fig 75 pg 139
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Eastman Johnson
Ojibwe Wigwam at Grand Portage
new25/Eastman Johnson-994897.jpg
Oil on canvas 10.25 x 15.2 - 1857 - Scanned from
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Eastman Johnson
The Girl I left behind me
new26/Eastman Johnson-768936.jpg
1875(1875)
Medium English: Oil on Canvas
Dimensions 106,7 x 88,7 cm
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Eastman Johnson
American portrait and genre painter, 1824-1906
American painter and printmaker. Between 1840 and 1842 he was apprenticed to the Boston lithographer John H. Bufford (1810-70). His mastery of this medium is apparent in his few lithographs, of which the best known is Marguerite (c. 1865-70; Worcester, MA, Amer. Antiqua. Soc.). In 1845 he moved to Washington, DC, where he drew portraits in chalk, crayon and charcoal of prominent Americans, including Daniel Webster, John Quincy Adams and Dolly Madison (all 1846; Cambridge, MA, Fogg). In 1846 he settled in Boston and brought his early portrait style to its fullest development. His chiaroscuro charcoal drawings, of exceptional sensitivity, were remarkably sophisticated for an essentially self-trained artist. In 1848 he travelled to Europe to study painting at the D?sseldorf Akademie. During his two-year stay he was closely associated with Emanuel Leutze, and painted his first genre subjects
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