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Xiamen Oil Paintings, Wholesale Direct!
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100% hand painted, 100% cotton canvas, 100% money back if not satisfaction. |
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Charles de LafosseFrench Baroque Era Painter ,
Paris 1636/40 -1716
French painter and draughtsman. He was the most important decorative painter in France in the generation after Charles Le Brun and in this capacity contributed to many of the major official and private building projects from the 1670s to the 1710s, including the D?me des Invalides in Paris and the chapel at the ch?teau of Versailles. His colourist's temperament, his early study of the Venetian painters of the 16th century and his interest in the work of Peter Paul Rubens contributed to the triumph of the party that championed colour over line and put him in the vanguard of the new tendency in French painting in the later 17th century. His work, with its rich and changing colours, combines the strength of the 17th century with the lightness and grace of the 18th
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100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
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Charles de Lafosse
The Temptation of Christ
new3/Charles de Lafosse-566965.jpg
mk65
Oil on canvas
56x76"
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Charles de Lafosse
Clytie Transformed into a Sunflower
new24/Charles de Lafosse-766834.jpg
1688(1688)
Medium Oil on canvas
cyf
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Charles de Lafosse
French Baroque Era Painter ,
Paris 1636/40 -1716
French painter and draughtsman. He was the most important decorative painter in France in the generation after Charles Le Brun and in this capacity contributed to many of the major official and private building projects from the 1670s to the 1710s, including the D?me des Invalides in Paris and the chapel at the ch?teau of Versailles. His colourist's temperament, his early study of the Venetian painters of the 16th century and his interest in the work of Peter Paul Rubens contributed to the triumph of the party that championed colour over line and put him in the vanguard of the new tendency in French painting in the later 17th century. His work, with its rich and changing colours, combines the strength of the 17th century with the lightness and grace of the 18th
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