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Jan Brueghel The Elder
Flemish Baroque Era Painter, 1568-1625
was a Flemish painter, son of Pieter Brueghel the Elder and father of Jan Brueghel the Younger. Nicknamed "Velvet" Brueghel, "Flower" Brueghel, and "Paradise" Brueghel, of which the latter two were derived from favored subjects, while the former may refer to the velveteen sheen of his colors or to his habit of wearing velvet. He was born in Brussels. His father died in 1569, and then, following the death of his mother in 1578, Jan, along with his brother Pieter Brueghel the Younger ("Hell Brueghel") and sister Marie, went to live with their grandmother Mayken Verhulst (widow of Pieter Coecke van Aelst). She was an artist in her own right, and according to Carel van Mander, possibly the first teacher of the two sons. The family moved to Antwerp sometime after 1578. He first applied himself to painting flowers and fruits, and afterwards acquired considerable reputation by his landscapes and sea-pieces. He formed a style more independent of his father's than did his brother Pieter the Younger. His early works are often landscapes containing scenes from scripture, particularly forest landscapes betraying the influence of the master forest landscape-painter Gillis van Coninxloo. Later in his career, he moved toward the painting of pure landscapes and townscapes, and, toward the end, of still lifes. After residing long at Cologne he travelled into Italy, where his landscapes, adorned with small figures, were greatly admired. He left a large number of pictures, chiefly landscapes, which are executed with great skill. Many of his paintings are collaborations in which figures by other painters were placed in landscapes painted by Jan Brueghel.
100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
Jan Brueghel The Elder Great Fish-Market
new9/Jan Brueghel The Elder-484457.jpg mk86
1603
Oil on panel
58.5x91.5cm
Munich,BayerischeStaatsgemalde-sammlungen,Alte Pinakothek
Jan Brueghel The Elder The Holy Family
new9/Jan Brueghel The Elder-485829.jpg mk86
undated
Oil on panel
93.5x72cm
Munich,Bayerische Staatsgemaldesammlungen,Alte Pinakothek
Jan Brueghel The Elder orpheus in the underworld
new20/Jan Brueghel The Elder-634948.jpg mk247
1594 to 1600,oil on copper,10x14 in,26x35 cm,palazzo pitti,galeria palatina,florence,ltaly
Jan Brueghel The Elder allegory of sight
new20/Jan Brueghel The Elder-678755.jpg mk247
c.1619,oil wood,25.625x42.875,in ,65x109 cm,museo del prado,madrid,spain
Jan Brueghel The Elder The Entry of the Animals Into Noah Ark
new20/Jan Brueghel The Elder-949729.jpg The Entry of the Animals Into Noah's Ark, painted 1613.
Jan Brueghel The Elder Landscape with Windmills
new22/Jan Brueghel The Elder-885849.jpg Landscape with Windmills, Oil on panel, 1607
34 x 50 cm (13 3/8 x 19 5/8 inches)
Jan Brueghel The Elder Village Scene with a Canal,
new24/Jan Brueghel The Elder-584563.jpg Village Scene with a Canal, oil on copper painting by Jan Brueghel the Elder, 1609, 22 x 34 cm
cjr
Flemish Baroque Era Painter, 1568-1625
was a Flemish painter, son of Pieter Brueghel the Elder and father of Jan Brueghel the Younger. Nicknamed "Velvet" Brueghel, "Flower" Brueghel, and "Paradise" Brueghel, of which the latter two were derived from favored subjects, while the former may refer to the velveteen sheen of his colors or to his habit of wearing velvet. He was born in Brussels. His father died in 1569, and then, following the death of his mother in 1578, Jan, along with his brother Pieter Brueghel the Younger ("Hell Brueghel") and sister Marie, went to live with their grandmother Mayken Verhulst (widow of Pieter Coecke van Aelst). She was an artist in her own right, and according to Carel van Mander, possibly the first teacher of the two sons. The family moved to Antwerp sometime after 1578. He first applied himself to painting flowers and fruits, and afterwards acquired considerable reputation by his landscapes and sea-pieces. He formed a style more independent of his father's than did his brother Pieter the Younger. His early works are often landscapes containing scenes from scripture, particularly forest landscapes betraying the influence of the master forest landscape-painter Gillis van Coninxloo. Later in his career, he moved toward the painting of pure landscapes and townscapes, and, toward the end, of still lifes. After residing long at Cologne he travelled into Italy, where his landscapes, adorned with small figures, were greatly admired. He left a large number of pictures, chiefly landscapes, which are executed with great skill. Many of his paintings are collaborations in which figures by other painters were placed in landscapes painted by Jan Brueghel.
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