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Adriaen van der werff
Self-Portrait with a Portrait of his Wife,Margaretha van Rees,and their Daughter,Maria
new2/Adriaen van der werff-749929.jpg
mk52
1699
Oil on canvas
81x65.5cm
Rijksmuseum,Amsterdam
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Adriaen van der werff
The Adoration of the Shepherds
new3/Adriaen van der werff-298735.jpg
mk67
Oil on panel
20 7/8x14 3/16in
Uffizi,Gallery
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Adriaen van der werff
The adoracion of the shepherds
new16/Adriaen van der werff-295743.jpg
mk166
1703 I Wave on board 53x36cm Uffizi, Florence
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Adriaen van der werff
Shepherd and Shepherdess
new23/Adriaen van der werff-548537.jpg
1689
Oil on oak panel
58.5 x 47.5 cm (23.03 x 18.7 in)
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Adriaen van der werff
Portrait of Anna Maria Luisa de' Medici, Electress Palatine
new24/Adriaen van der werff-983585.jpg
ca. 1701
cjr
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Adriaen van der werff
Flora with Putti Strewing Flowers
new24/Adriaen van der werff-979366.jpg
1696
Oil on canvas
cjr
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Adriaen van der werff
Portrait of Anna Maria Luisa de' Medici, Electress Palatine
new24/Adriaen van der werff-356694.jpg
ca. 1701
cjr
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Adriaen van der werff
Flora with Putti Strewing Flowers
new24/Adriaen van der werff-993965.jpg
1696
Medium Oil on canvas
Dimensions N/A (original: 290 x 195 cm)
cyf
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Adriaen van der werff
Sarah Bringing Hagar to Abraham
new24/Adriaen van der werff-968945.jpg
Date 1696(1696)
Medium Oil on canvas
Dimensions Height: 86 cm (33.9 in). Width: 68.5 cm (27 in).
cjr
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Adriaen van der werff
Sarah presenting Hagar to Abraham.
new25/Adriaen van der werff-369488.jpg
Date 1699(1699)
Medium Oil on canvas
Dimensions Height: 76.3 cm (30 in). Width: 61 cm (24 in).
cjr
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Adriaen van der werff
Young shepherd embracing a shepherdess.
new25/Adriaen van der werff-977694.jpg
Date c. 1690(1690)
Medium Oil on canvas
Dimensions Height: 46 cm (18.1 in). Width: 38 cm (15 in).
cjr
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Adriaen van der werff
Sarah Bringing Hagar to Abraham
new25/Adriaen van der werff-379737.jpg
1696(1696)
Medium Oil on canvas
Dimensions Height: 86 cm (33.9 in). Width: 68.5 cm (27 in).
cyf
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Adriaen van der werff
Sarah presenting Hagar to Abraham
new25/Adriaen van der werff-585466.jpg
1699(1699)
Medium Oil on canvas
cyf
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Adriaen van der werff
Hedwig Elisabeth Pfalzgrafin bei Rhein zu Neuburg, Prinzessin von Polen.
new25/Adriaen van der werff-879598.jpg
1696
Medium oil on canvas
cjr
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Adriaen van der werff
Self-portrait
new25/Adriaen van der werff-343649.jpg
1696(1696)
Medium oil on panel
Dimensions Height: 38.5 cm (15.2 in). Width: 29 cm (11.4 in).
cyf
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Adriaen van der werff
Elisabeth Dierquens
new25/Adriaen van der werff-568388.jpg
1694
Medium oil on canvas
Dimensions 48 X 40 cm (18.9 X 15.7 in)
cjr
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Adriaen van der werff
A nymph dancing before a shepherd playing a flute.
new25/Adriaen van der werff-836387.jpg
1718
Medium oil on panel
Dimensions 44 X 33 cm (17.3 X 13 in)
cjr
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Adriaen van der werff
Adam and Eve.
new25/Adriaen van der werff-664947.jpg
between 1674(1674) and 1722(1722)
Medium oil on panel
Dimensions 45 X 35.5 cm (17.7 X 14 in)
cjr
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Adriaen van der werff
Lot and his daughters.
new26/Adriaen van der werff-834634.jpg
1711(1711)
Medium oil on panel
Dimensions Height: 45 cm (17.7 in). Width: 35 cm (13.8 in).
cjr
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Adriaen van der werff
portrait of his wife Margaretha van Rees and their daughter Maria
new26/Adriaen van der werff-673878.jpg
1699(1699)
Medium oil on canvas mounted on panel
cyf
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Adriaen van der werff
Dutch Baroque Era Painter, 1659-1722
Dutch painter and draughtsman. He was apprenticed to the portrait painter Cornelis Picolet (1626-79) from 1668 to 1670 and then from c.1671 to 1676 to Eglon van der Neer in Rotterdam. From 1676 van der Werff produced small portraits and genre paintings as an independent master; the Cook and Hunter at a Window (1678; New York, priv. col.; see Gaethgens, no. 2) and Man and Woman Seated at a Table (1678; St Petersburg, Hermitage) perpetuate the thematic and stylistic traditions of Gerrit Dou, Gabriel Metsu, Frans van Mieris and Gerard ter Borch (ii) but are distinguished by their greater elegance and richness of costume and interior. Van der Werff's portraits date mainly from the years 1680-95 (e.g. Two Children with a Guinea-pig and a Kitten (1681; London, Buckingham Pal., Royal Col.)). The motif of children with animals recalls van der Neer, while the careful depiction of fabrics recalls the Leiden school of 'Fine' painters. His Portrait of a Man in a Quilted Gown (1685; London, N.G.) resembles compositions by Caspar Netscher and Nicolaes Maes: a figure leaning against a balustrade, before a landscape. Van der Werff's work is, however, more elegant, in part because of the depiction of fabrics
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