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Jean antoine Watteau
Gersaint s Shop Sign
new2/Jean antoine Watteau-725549.jpg
mk53
1720-1
Oil on canvas
166x306cm
Berlin,Schloss Charlottenburg
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Jean antoine Watteau
The rest in the flight to Egypt
new16/Jean antoine Watteau-562287.jpg
mk166
1715 I Wave on cloth 129x98cm Museum of the Ermitage,
San Petersburgo
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Jean antoine Watteau
Figures from the Italian Commedia dell arte
new19/Jean antoine Watteau-977983.jpg
mk234
probably 1720
63x76cm
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Jean antoine Watteau
avfarden till kythera
new20/Jean antoine Watteau-789774.jpg
mk248 kytbera ar i grekisk myt den karlekens o dar afrodite foddes, ocb dit pilgrimer beger sig ocb aldrig aterses, den pastorala miljon antyder orealistiska drommar om att undfly formalismens tvangstroja till forman for spontanitet. spanningen mrllan bikdens alskande ar subtil daras kroppskontakt framstar som flyktig men drakternas siden ocb sammet ar f orforiskt taktilt atergivna.
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Jean antoine Watteau
gilles
new20/Jean antoine Watteau-458239.jpg
mk248 det ar mojligt att eatteau malade dan bat duken som reklamskylt till det cafe som agdes av belloni. en skdespelare som spelade den melankoliske commedia dell arte gestalten pierrot. genom att stalla den allvarsamme gilles i kontrast med bakgrundens uppsluppna gestalter placerar watteau bonom i en egen, isolerad ocb farflos varld. vid det bar verkets tillkomst var eatteau svart sjuk i tuberkulos ocb sannolikt mycket medveten om det faktum attalla varldens gladjeamnen ar snabbt overgaen de.
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Jean antoine Watteau
The base Shirra island goes on a pilgrimage
new20/Jean antoine Watteau-282235.jpg
mk255 for in 1717. Canvas 1.29 x 1.94 meters high. Paris, the Louvre
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Jean antoine Watteau
Pierrot
new20/Jean antoine Watteau-924238.jpg
mk255 for in the years 1718-1719. 1.85 x 1.50 meters canvas. Paris, the Louvre
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Jean antoine Watteau
Vergnegen im Freien (Amusements champetres), Detail
new22/Jean antoine Watteau-937893.jpg
c. 1718
Oil on canvas
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Jean antoine Watteau
Antoine Watteau
new23/Jean antoine Watteau-457779.jpg
Technique English: Oil on canvas
Deutsch: Öl auf Leinwand
Italiano: Olio su tela
Polski: Olej na płetnie
Dimensions 51,3 X 59,4 cm
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Jean antoine Watteau
Antoine Watteau
new23/Jean antoine Watteau-733465.jpg
Technique Oil on canvas
Dimensions 97 X 116 cm (38.19 X 45.67 in)
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Jean antoine Watteau
Franzosische Komodianten
new23/Jean antoine Watteau-864769.jpg
ca. 1720(1720)
Oil on canvas
57 ?? 73 cm (22.44 ?? 28.74 in)
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Jean antoine Watteau
Das Ballvergnegen
new23/Jean antoine Watteau-445466.jpg
ca. 1717(1717)
Oil on canvas
52.7 X 65.7 cm (20.75 X 25.87 in)
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Jean antoine Watteau
Der Tanz
new23/Jean antoine Watteau-353378.jpg
c. 1710-1720
oil on canvas
97 X 116 cm (38.19 X 45.67 in)
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Jean antoine Watteau
Das Liebeslied
new23/Jean antoine Watteau-784554.jpg
51,3 X 59,4 cm
Oil on canvas
c. 1717
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Jean antoine Watteau
Das Ballvergnegen
new23/Jean antoine Watteau-449446.jpg
c. 1717
oil on canvas
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Jean antoine Watteau
Die italienische Komodie
new23/Jean antoine Watteau-849755.jpg
c. 1718
oil on canvas
Deutsch: 37 X 48 cm
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Jean antoine Watteau
Die Schafer
new23/Jean antoine Watteau-998744.jpg
Medium Oil on canvas
Dimensions 56 x 81 cm
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Jean antoine Watteau
Les deux cousines
new24/Jean antoine Watteau-968955.jpg
Les deux cousines, c. 1717-1718, Musee du Louvre, Paris
cjr
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Jean antoine Watteau
Happy Age. Golden Age
new24/Jean antoine Watteau-348359.jpg
oil on panel painting by Jean-Antoine Watteau
cyf
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Jean antoine Watteau
Der Gleichgutige
new25/Jean antoine Watteau-454596.jpg
Oil on canvas
Dimensions 26 x 19 cm (10.2 x 7.5 in)
cyf
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Jean antoine Watteau
Les Charmes de la vie
new25/Jean antoine Watteau-588677.jpg
1718(1718)
Medium oil on canvas
cyf
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Jean antoine Watteau
Les Champs Elysees
new26/Jean antoine Watteau-458557.jpg
between 1717(1717) and 1718(1718)
Medium oil on panel
cyf
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Jean antoine Watteau
French Rococo Era Painter, 1684-1721
He is best known for his invention of a new genre, the f?te galante, a small easel painting in which elegant people are depicted in conversation or music-making in a secluded parkland setting (see under F?TE CHAMP?TRE). His particular originality lies in the generally restrained nature of the amorous exchanges of his characters, which are conveyed as much by glance as by gesture, and in his mingling of figures in contemporary dress with others in theatrical costume
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