|
|
|
|
| Click Image to Enlarge |
Thomas Girtin
Kirkstall Abbey,Yorkshire-Evening (mk47)
new2/Thomas Girtin-897435.jpg
c.1800
Watercolour
317x520mm
Victoria & Albert Museum,London
|
|
|
|
|
|
|
|
|
| Click Image to Enlarge |
Thomas Girtin
The White House at Chelsea
new4/Thomas Girtin-632272.jpg
nn07
|
|
|
|
|
|
|
|
|
| Click Image to Enlarge |
Thomas Girtin
Bamburgh Castle,
new9/Thomas Girtin-423826.jpg
mk81
Northumberland
c.1797-9
|
|
|
|
|
|
|
|
|
| Click Image to Enlarge |
Thomas Girtin
berry pomeroy castle,devon
new20/Thomas Girtin-878759.jpg
mk247
1798,watercolor on paper,10.875x15.375 in,27.5x39 cm,sotheby s,london,uk
|
|
|
|
|
|
|
|
|
| Click Image to Enlarge |
Thomas Girtin
the tihe barn abbotsbuy
new20/Thomas Girtin-228399.jpg
mk248 girtin farglade ofta de skissrt som ban gjorde ute i det fria,mran ban brukade begransa sig till tua eller tre farger manga blev forlaga till fullbordade akvaller men banromd att samlare aven ville kopa bans skissern vittnar om.
|
|
|
|
|
|
|
|
|
| Click Image to Enlarge |
Thomas Girtin
durham cathedral and bridge
new20/Thomas Girtin-337255.jpg
mk248 vyer fran storbritannirn var mycket efterfragade nar kriget med frankrike bindrade folk fran att resa i ovriga europa. det ansags ocksa patriotiskt av de rika att bestalla bilder av brttiska nationalmonument. girtin kunde manipulera ljusforingen for att uppna den stamning som efterfragades, fran dramatiskt till fridfullt. han revolutionerade akvarelltekniken genom att slop grundfargen ocb mala med akvarellfargerna direkt pa papperet. sarskilt akvarellpapper var sallsynt ocb konstnarer malade pa allt slags papper.karduspapper. till exempel, uppskattades for den grova strukturen det anvandes egentligen som boljen till krutladdninger.
|
|
|
|
|
|
|
|
|
| Click Image to Enlarge |
Thomas Girtin
near beddgelert
new23/Thomas Girtin-777766.jpg
north wales, 1798 watercolour 29x43.2cm
se
|
|
|
|
|
|
|
|
|
| Click Image to Enlarge |
Thomas Girtin
The collector of tithes
new25/Thomas Girtin-495736.jpg
oil on Canvas(1663-1720)
cyf
|
|
|
|
|
|
|
|
|
| Click Image to Enlarge |
Thomas Girtin
Portrait of Thomas Girtin
new26/Thomas Girtin-958398.jpg
18/19th century
cjr
|
|
|
|
|
|
|
|
|
| Click Image to Enlarge |
Thomas Girtin
Jedburgh Abbey from the River
new26/Thomas Girtin-384634.jpg
1798-1799
cjr
|
|
|
|
|
|
|
|
|
| Click Image to Enlarge |
Thomas Girtin
Das Weibe Haus in Chelsea
new26/Thomas Girtin-674974.jpg
1800
Dimensions 29,8 x 51,4 cm
cjr
|
|
|
|
|
|
|
|
|
| Click Image to Enlarge |
Thomas Girtin
Interior of Lindisfarne Priory
new26/Thomas Girtin-755388.jpg
1797(1797)
cjr
|
|
|
|
|
|
|
|
|
| Click Image to Enlarge |
Thomas Girtin
Lindisfarne
new26/Thomas Girtin-477798.jpg
1798(1798)
cjr
|
|
|
|
|
|
|
|
|
| Click Image to Enlarge |
Thomas Girtin
Bamburgh Castle, Northumberland
new26/Thomas Girtin-548888.jpg
1797-1799
Dimensions 55 x 45 cm (21.7 x 17.7 in)
cjr
|
|
|
|
|
|
|
|
|
| Click Image to Enlarge |
Thomas Girtin
Die Kathedrale von Durham und die Brucke, vom Flub Wear aus gesehen
new26/Thomas Girtin-745966.jpg
1799(1799)
Dimensions 41,5 x 53,6 cm
cjr
|
|
|
|
|
|
|
|
|
| Click Image to Enlarge |
Thomas Girtin
Guisborough Priory, Yorkshire
new26/Thomas Girtin-898753.jpg
1801(1801)
cjr
|
|
|
|
|
|
|
|
|
| Click Image to Enlarge |
Thomas Girtin
Kirkstall Abbey, Yorkshire
new26/Thomas Girtin-578738.jpg
1801(1801)
Dimensions 30,5 x 52 cm
cjr
|
|
|
|
|
|
|
|
|
| Click Image to Enlarge |
Thomas Girtin
In the Scotch Borders
new26/Thomas Girtin-693437.jpg
cjr
|
|
|
|
|
|
|
|
|
| Click Image to Enlarge |
Thomas Girtin
Near Bolton Abbey
new26/Thomas Girtin-633963.jpg
33 x 52 cm
cjr
|
|
|
|
|
|
|
|
|
| Click Image to Enlarge |
Thomas Girtin
Rue Saint-Denis in Paris
new26/Thomas Girtin-638845.jpg
1802(1802)
Dimensions Deutsch: 39 x 49 cm
cjr
|
|
|
|
|
|
|
|
1 | Prev Artist Next Artist
|
|
Thomas Girtin
English Romantic Painter, 1775-1802
English painter, draughtsman and printmaker. With his rival, J. M. W. Turner, he extended the technical possibilities of watercolour and in doing so demonstrated that watercolours could have the visual impact and emotional range of oils. Although close in style throughout the 1790s, by 1800 Turner and Girtin were beginning to diverge: whereas the former dissolved forms to express his idea of Nature in a state of flux, the latter sought out a landscape's underlying patterns to convey his awe of Nature's permanence as well as its grandeur. Girtin's reduction of landscape to simple and monumental forms
|
|
| Wholesale China Oil Painting Wholesale Oil Painting China Xiamen Portrait Reproduction Chinese Oil Painting Wholesale USA Oil Painting |
|
