100% hand painted, 100% cotton canvas, 100% money back if not satisfaction.
Myles Birket Foster,RWS
1825-1899
English painter, illustrator and collector. After a short and unsatisfactory period working in the family brewing business, he was able to convince his Quaker parents to allow him to pursue a career in art. He was apprenticed to a wood-engraver, Ebenezer Landells (1808-60), who recognized Foster's talent for drawing and set him to work designing blocks for engraving. Foster also provided designs for Punch and the Illustrated London News. In 1846 he set up on his own as an illustrator. The rustic vignettes of the seasons that he contributed to the Illustrated London News and its counterpart, the Illustrated London Almanack, established him as a charming interpreter of the English countryside and rural life and led to his employment illustrating similar themes in other publications. During the 1850s his designs were much in demand; he was called upon to illustrate volumes of the poetry of Longfellow, Sir Walter Scott and John Milton.
100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
Myles Birket Foster,RWS The Thames from Cliveden (mk46)
new2/Myles Birket Foster,RWS-693898.jpg Watercolour and bodycolour with scratching out
34.3x71.1cm
Myles Birket Foster,RWS Lane Scene at Hambleden (mk46)_
new2/Myles Birket Foster,RWS-995292.jpg 1862
Watercolour and bodycolour
42.5x63.5cm
London,Tate Gallery
Myles Birket Foster,RWS The Milkmaid
new3/Myles Birket Foster,RWS-663227.jpg 1860
watercolour 29.7 x 44.5 cm
(11 3/4 x 17 1/4 in)
Victoria and Albert Museum London (mk63)
1825-1899
English painter, illustrator and collector. After a short and unsatisfactory period working in the family brewing business, he was able to convince his Quaker parents to allow him to pursue a career in art. He was apprenticed to a wood-engraver, Ebenezer Landells (1808-60), who recognized Foster's talent for drawing and set him to work designing blocks for engraving. Foster also provided designs for Punch and the Illustrated London News. In 1846 he set up on his own as an illustrator. The rustic vignettes of the seasons that he contributed to the Illustrated London News and its counterpart, the Illustrated London Almanack, established him as a charming interpreter of the English countryside and rural life and led to his employment illustrating similar themes in other publications. During the 1850s his designs were much in demand; he was called upon to illustrate volumes of the poetry of Longfellow, Sir Walter Scott and John Milton.
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