100% hand painted, 100% cotton canvas, 100% money back if not satisfaction.
Samuel van hoogstraten
Dutch Baroque Era Painter, 1627-1678
Dutch portrait painter and etcher, studied with his father, Dirk van Hoogstraten (1596?C1640), and with Rembrandt. His best works, such as The Old Jew (Vienna), reflect the influence of Rembrandt. He was director of the Academy in Dordrecht and author of a treatise (1678) in which he analyzed the theory and practice of the art of Rembrandt and other artists of the period.
100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
Samuel van hoogstraten A Young Man wearing a Hat decorated with Pearls and a gold Medallion in a Half-Door (mk33)
new8/Samuel van hoogstraten-464672.jpg canvas
42x36cm
Hermitage Museum Lleningrad
Samuel van hoogstraten Self-Portrait at the Age of Seventeen,wtih Still Life
new2/Samuel van hoogstraten-325947.jpg mk52
1644
Oil on wood
58x74cm
Museum Boymans-Van Beuningen,RoTTERDAM
Samuel van hoogstraten a view down a corridor
new20/Samuel van hoogstraten-728533.jpg mk247
1662,oil on panel ,104x53 in,264.2x136.7 cm,dyrham park,gloucestershire,uk
Samuel van hoogstraten anemic lady
new24/Samuel van hoogstraten-667945.jpg Date ca. 1660-1670 (1660-1678)
Medium Oil on canvas
Dimensions 69.5 X 55 cm (27.36 X 21.65 in)
cyf
Samuel van hoogstraten Self-portrait
new25/Samuel van hoogstraten-874974.jpg c. 1647(1647)
Medium oil on canvas
Dimensions 102 x 79 cm (40.2 x 31.1 in)
cjr
Samuel van hoogstraten Portrait of Mattheus van den Broucke Governor of the Indies, with the gold chain and medal presented to him by the Dutch East India Company in 1670.
new25/Samuel van hoogstraten-565534.jpg 1670-1678
Medium oil on canvas
Dimensions 142 X 111 cm (55.9 X 43.7 in)
cjr
Dutch Baroque Era Painter, 1627-1678
Dutch portrait painter and etcher, studied with his father, Dirk van Hoogstraten (1596?C1640), and with Rembrandt. His best works, such as The Old Jew (Vienna), reflect the influence of Rembrandt. He was director of the Academy in Dordrecht and author of a treatise (1678) in which he analyzed the theory and practice of the art of Rembrandt and other artists of the period.
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