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Giuseppe De Nittis
The Place des Pyramides
Giuseppe De Nittis1.jpg
1875(Salon of 1876)
3' x 2' 5 1/4''(92 x 74 cm)Gift of the artist,1883
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Giuseppe de nittis
Field of Snow n.d (nn02)
new7/Giuseppe de nittis-724383.jpg
Oil on canvas
21 5/8x15"
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Giuseppe de nittis
In the Fields Around London (nn02)
new7/Giuseppe de nittis-985825.jpg
Oil on canvas
17 3/4x21 5/8"
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Giuseppe de nittis
Lake of thte Four Cantons (nn02)
new7/Giuseppe de nittis-776989.jpg
1875
Oil on canvas
23 5/8x35 1/2"
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Giuseppe de nittis
Westminster (nn02)
new7/Giuseppe de nittis-773963.jpg
c.1875
Oil on canvas
45 1/4x77 1/2"
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Giuseppe de nittis
On a Bench on the Champs Elysees (nn02)
new7/Giuseppe de nittis-956626.jpg
c.1874
Oil on wood
12 1/4x17 1/8"
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Giuseppe de nittis
La Patineuse
new4/Giuseppe de nittis-266724.jpg
mk71
Toile
H.0.56
L.0.38
Dunkerque,Musee des Beaux-Arts
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Giuseppe de nittis
Breakfast in the Garden
new19/Giuseppe de nittis-466833.jpg
mk235
1884
Oil on canvs
81x117cm
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Giuseppe de nittis
breakfast in the garden
new20/Giuseppe de nittis-288683.jpg
mk247
1884,oil on canvas,31.875x46.125 in,81x117 cm,pinacoteca giuseppe de nittis,barletta,puglia,ltaly
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Giuseppe de nittis
Presso al lago by Giuseppe de Nittis (1848-1884) oil painting (1880), Pinacotecca De Nittis, Barletta, Italy
new24/Giuseppe de nittis-345483.jpg
Presso al lago by Giuseppe de Nittis (1848-1884) oil painting (1880), Pinacotecca De Nittis, Barletta, Italy
cjr
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Giuseppe de nittis
Oil painting Lungo l'Ofanto (1870) by Giuseppe de Nittis (1848-1884), Pinacoteca De Nittis, Barletta, Italy
new24/Giuseppe de nittis-374479.jpg
Oil painting Lungo l'Ofanto (1870) by Giuseppe de Nittis (1848-1884), Pinacoteca De Nittis, Barletta, Italy
cjr
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Giuseppe de nittis
Italian, 1846-1884
Italian painter, pastellist and printmaker. Throughout his career he was committed to a plein-air aesthetic and was particularly interested in rendering varying light effects, a concern that brought him into contact with the Impressionists. He was also acquainted with the members of the Macchiaioli, for whom his work was influential. In addition to oils, he experimented with printmaking and made innovative use of pastels. Practising a restrained, and therefore 'acceptable', form of Impressionism,
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