100% hand painted, 100% cotton canvas, 100% money back if not satisfaction.
Charles conder
English-born Australian Painter, 1868-1909
English painter, active in Australia and France. He was sent to Australia in 1884 to learn surveying under his uncle W. J. Conder. After about two years in survey camps, he attended evening classes at the Royal Art Society, Sydney; in 1887 he worked as a lithographic draughtsman for the Illustrated Sydney News. Tom Roberts, then in Sydney on a visit from Melbourne, was among the open-air landscape painters that he knew at this time. He taught Conder some of the principles of Impressionism, such as truth to the momentary effect of light and to colour values, and the rejection of the academic ideal of high finish. The most important painting of Conder's Sydney years, the Departure of the 'SS Orient' from Circular Quay, 1888 (1888; Sydney, A.G. NSW), already showed a distinct personal style, combining humour with nostalgia and selective observation with decorative finesse of handling and design. In December 1888 Conder joined Roberts and Arthur Streeton in Melbourne. During the following summers they painted together at the outer suburbs of Mentone, Box Hill and Eaglemont
100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
Charles conder Departure of the SS Orient from Circular Quay
new3/Charles conder-325646.jpg 1888
Oil on canvas 43.2 x 48.9 cm(17 x 19 1/4 in)
Art Gallery of New South Wales,Sydney (mk63)
Charles conder A Holiday at Mentone
new20/Charles conder-273935.jpg A Holiday at Mentone, c1888. This painting featured on a 1984 Australian postage stamp.
Charles conder Impressionists' Camp
new24/Charles conder-459347.jpg Impressionists' Camp (1889, oil on cardboard, 13.9 x 24.0 cm) by Charles Conder (1868-1909).
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Charles conder Herrick Blossoms
new24/Charles conder-975988.jpg Herrick's Blossoms (1888, oil on cardboard, 13.1 x 24.0 cm) by Charles Conder (1868-1909).
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Charles conder Centennial Choir at Sorrento
new24/Charles conder-644863.jpg Centennial Choir at Sorrento (1889, oil on panel, 10.5 x 23.5 cm) by Charles Conder (1868-1909).
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Charles conder How We Lost Poor Flossie
new24/Charles conder-577884.jpg How We Lost Poor Flossie (1889, oil on cedar panel, 25.0 x 9.2 cm) by Charles Conder (1868-1909).
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Charles conder The Fatal Colours
new24/Charles conder-438784.jpg The Fatal Colours (1888, oil on wood panel, 36.0 x 20.5 cm) by Charles Conder (1868-1909).
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Charles conder An Early Taste for Literature,
new24/Charles conder-764988.jpg An Early Taste for Literature, painting, oil on canvas on paperboard, 61 x 51 cm, by Charles Conder
Date 1888(1888)
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Charles conder An Early Taste for Literature
new24/Charles conder-345694.jpg painting, oil on canvas on paperboard, 61 x 51 cm, by Charles Conder
Date 1888(1888)
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English-born Australian Painter, 1868-1909
English painter, active in Australia and France. He was sent to Australia in 1884 to learn surveying under his uncle W. J. Conder. After about two years in survey camps, he attended evening classes at the Royal Art Society, Sydney; in 1887 he worked as a lithographic draughtsman for the Illustrated Sydney News. Tom Roberts, then in Sydney on a visit from Melbourne, was among the open-air landscape painters that he knew at this time. He taught Conder some of the principles of Impressionism, such as truth to the momentary effect of light and to colour values, and the rejection of the academic ideal of high finish. The most important painting of Conder's Sydney years, the Departure of the 'SS Orient' from Circular Quay, 1888 (1888; Sydney, A.G. NSW), already showed a distinct personal style, combining humour with nostalgia and selective observation with decorative finesse of handling and design. In December 1888 Conder joined Roberts and Arthur Streeton in Melbourne. During the following summers they painted together at the outer suburbs of Mentone, Box Hill and Eaglemont
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