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Antoine Wiertz
The Novel Reader (mk19)
new7/Antoine Wiertz-639863.jpg
1853
Oil on canvas,125 x 155 cm
Musee Wiertz,Brussels
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Antoine Wiertz
The Beautiful Rosine (mk19)
new7/Antoine Wiertz-735964.jpg
1847
Oil on canvas,140 x 110 cm
Musee Wiertz,Brussels
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Antoine Wiertz
The Lovely Rosine (mk22)
new7/Antoine Wiertz-877632.jpg
(Nude with Skeleton),1843
Oil on canvas,140 x 110 cm
Brussels,Musees Royaux des Beaux-Arts de Belgique
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Antoine Wiertz
Two Young Girls or the Beautiful Rosine
new16/Antoine Wiertz-749866.jpg
1847
Oil on canvas,
140 x 100 cm
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Antoine Wiertz
Reader of Novels
new23/Antoine Wiertz-558833.jpg
Date 1853
125 x 157 cm
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Antoine Wiertz
Antoine Wiertz s
new24/Antoine Wiertz-884533.jpg
painting created in 1854
cyf
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Antoine Wiertz
Rosine at her Dressing Table
new24/Antoine Wiertz-633443.jpg
Medium Oil on canvas
Dimensions 156 x 98 cm (61.4 x 38.6 in)
cjr
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Antoine Wiertz
The Premature Burial
new25/Antoine Wiertz-857769.jpg
1854(1854)
Medium oil on canvas
cjr
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Antoine Wiertz
Linhumation precipitee
new25/Antoine Wiertz-963448.jpg
1854(1854)
Medium oil on canvas
Dimensions 160 x 235 cm (63 x 92.5 in)
cyf
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Antoine Wiertz
The Suicide
new25/Antoine Wiertz-498546.jpg
1854(1854)
Medium oil on canvas
cjr
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Antoine Wiertz
The Reader of Novels
new25/Antoine Wiertz-335585.jpg
Date 1853(1853)
Medium oil on canvas
Dimensions 125 X 157 cm (49.2 X 61.8 in)
TTD
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Antoine Wiertz
self portrait by Antoine Wiertz
new26/Antoine Wiertz-885933.jpg
1860
cjr
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Antoine Wiertz
The Young Sorceress
new26/Antoine Wiertz-449597.jpg
oil on canvas
1857
cjr
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Antoine Wiertz
Autoportrait a lage de 18 ans
new26/Antoine Wiertz-994794.jpg
oil on canvas
Dimensions 81.3 x 62.5 cm
cyf
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Antoine Wiertz
Belgian Painter, 1806-1865
Belgian painter and sculptor. He was from very humble origins, but his talent for drawing was detected at an early age. He was sent to the Antwerp Academie, where he attended classes given by W. J. Herreyns (1743-1827) and Mathieu Ignace Van Br?e. During a stay in Paris from 1829 to 1832 he came into contact with the Romantic painters, in particular Th?odore G?ricault, who fostered his admiration for Rubens. In 1832 he won the Belgian Prix de Rome and in 1834 left for Italy where the works of Raphael and, above all, Michelangelo made an overwhelming impression on him. In Rome he abandoned the landscapes and scenes from Roman life, for which he showed a certain talent, and embarked on a much more ambitious work, the Greeks and the Trojans Contesting the Body of Patroclus (1835; Brussels, Mus. Wiertz.). The painting proved the turning-point in Wiertz's career. Its frenzied composition and violently contorted figures excited considerable interest in Rome.
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