100% hand painted, 100% cotton canvas, 100% money back if not satisfaction.
Carlos Schwabe
German Symbolist Painter, 1877-1926
Swiss painter and printmaker of German birth. He became a Swiss citizen and received his artistic training under Joseph Mittey (b 1853) at the Ecole des Arts Decoratifs in Geneva. Following brief success there, Schwabe moved to Paris where he supported himself as a designer of wallpaper while he developed considerable graphic skills. He soon became active in Symbolist circles, winning favour as an illustrator of mystical religious themes. His highly refined drawings and watercolours accompany texts such as Le Reve by Emile Zola (published 1892; drawings, Paris, Pompidou; exhibited Sociot Nationale des Beaux-Arts, also in 1892), Baudelaire's Les Fleurs du mal (1900), Maeterlinck's Pellias et Melisande, Catulle Mendes's L'Evangile de l'enfance de notre Seigneur Jesus-Christ selon Saint Pierre (1900) and Albert Samain's Jardin de l'Infante (1908).
100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
Carlos Schwabe Study for The Wave female figure left of the central figure (mk19)
new7/Carlos Schwabe-254726.jpg 1906
Mixed media on board,66.2 x 48 cm
Musee d'Art et d'Histoire,Geneva
Carlos Schwabe The Grave-Digger's Death (mk19)
new7/Carlos Schwabe-795784.jpg 1895-1900
Water-colour and gouache,75 x 55.5 cm
Cabinet des dessins,Musee du Louvre,Paris
Carlos Schwabe Study for The Wave,feminine figure,back right Mixed media on board (mk19)
new7/Carlos Schwabe-528978.jpg 66.2 x 48 cm
Musee d'Art et d'Histoire,Geneva
German Symbolist Painter, 1877-1926
Swiss painter and printmaker of German birth. He became a Swiss citizen and received his artistic training under Joseph Mittey (b 1853) at the Ecole des Arts Decoratifs in Geneva. Following brief success there, Schwabe moved to Paris where he supported himself as a designer of wallpaper while he developed considerable graphic skills. He soon became active in Symbolist circles, winning favour as an illustrator of mystical religious themes. His highly refined drawings and watercolours accompany texts such as Le Reve by Emile Zola (published 1892; drawings, Paris, Pompidou; exhibited Sociot Nationale des Beaux-Arts, also in 1892), Baudelaire's Les Fleurs du mal (1900), Maeterlinck's Pellias et Melisande, Catulle Mendes's L'Evangile de l'enfance de notre Seigneur Jesus-Christ selon Saint Pierre (1900) and Albert Samain's Jardin de l'Infante (1908).
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