100% hand painted, 100% cotton canvas, 100% money back if not satisfaction.
Theodore Gericault
French Romantic Painter, 1791-1824
was a profoundly influential French artist, painter and lithographer, known for The Raft of the Medusa and other paintings. Although he died young, he became one of the pioneers of the Romantic movement. Born in Rouen, France, Gericault was educated in the tradition of English sporting art by Carle Vernet and classical figure composition by Pierre-Narcisse Guerin, a rigorous classicist who disapproved of his student's impulsive temperament, but recognized his talent.[1] Gericault soon left the classroom, choosing to study at the Louvre instead, where he copied from paintings by Peter Paul Rubens, Titian, Diego Velezquez, and Rembrandt for about six years, from 1810 to 1815.
100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
Theodore Gericault Chasseur of the Imperial Guard,Charging (mk10)
new7/Theodore Gericault-825769.jpg sketch 1812,paper on canvas 52.5 x 40 cm
Paris,Musee du Louvre
Theodore Gericault Chasseur of the Imperial Guard,Charging (mk10)
new7/Theodore Gericault-258535.jpg 1812 Oil on canvas,292 x 194 cm
Paris,Musee du Louvre
Theodore Gericault detail chasseur of the Imperial guard,charging (mk10
new7/Theodore Gericault-976924.jpg 1812 oil on canvas 292 x 194 cm
Paris,Musee du Louvre
Theodore Gericault The Mad Woman with a Mania of Envy (mk45)
new2/Theodore Gericault-528562.jpg 1822/23
Oil on canvas
72x58cm
Lyon,Musee des Beaux-Arts
French Romantic Painter, 1791-1824
was a profoundly influential French artist, painter and lithographer, known for The Raft of the Medusa and other paintings. Although he died young, he became one of the pioneers of the Romantic movement. Born in Rouen, France, Gericault was educated in the tradition of English sporting art by Carle Vernet and classical figure composition by Pierre-Narcisse Guerin, a rigorous classicist who disapproved of his student's impulsive temperament, but recognized his talent.[1] Gericault soon left the classroom, choosing to study at the Louvre instead, where he copied from paintings by Peter Paul Rubens, Titian, Diego Velezquez, and Rembrandt for about six years, from 1810 to 1815.
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