100% hand painted, 100% cotton canvas, 100% money back if not satisfaction.
Baron Jean-Baptiste Regnault
Paris 1754-1829
French painter. His first teacher was the history painter Jean Bardin, who took him to Rome in 1768. Back in Paris in 1772, he transferred to the studio of Nicolas-Bernard Lepicie. In 1776 he won the Prix de Rome with Alexander and Diogenes (Paris, Ecole N. Sup. B.-A.) and returned to Rome, where he was to spend the next four years at the Academie de France in the company of Jacques-Louis David and Jean-Francois-Pierre Peyron. While witnessing at first hand Peyron's development of a manner indebted to Poussin and David's conversion to Caravaggesque realism, Regnault inclined first towards a Late Baroque mode in a Baptism of Christ (untraced; recorded in two sketches and an etching), then, in Perseus Washing his Hands (1779; Louisville, KY, Speed A. Mus.), to the static Neo-classicism of Anton Raphael Mengs.
100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
Baron Jean-Baptiste Regnault The Education of Achilles by the Centaur Chiron (mk05)
new6/Baron Jean-Baptiste Regnault-375299.jpg 1782
Canvas 103 x 84 1/2''(261 x 215 cm)Reception picture at the Academie Royale de Peinture et de Sculpture in 1783 Salons of 1783 and 1791;collection of the Academie Royale.INV 7282(MN)
Baron Jean-Baptiste Regnault The Threrr Graces (mk05)
new6/Baron Jean-Baptiste Regnault-367978.jpg 1793
Canvas 80 1/4 x 60 1/2''(204 x 154 cm)Bequest of Dr.Louis La Caze 1869 M I 1101(MN)
Baron Jean-Baptiste Regnault The Origin of Painting: Dibutades Tracing the Portrait of a Shepherd
new16/Baron Jean-Baptiste Regnault-562699.jpg 1785
Oil on canvas,
120 x 140 cm
Baron Jean-Baptiste Regnault The Genius of France between Liberty and Death
new16/Baron Jean-Baptiste Regnault-843457.jpg 1795
Oil on canvas,
60 x 49 cm
Baron Jean-Baptiste Regnault The Three Graces
new23/Baron Jean-Baptiste Regnault-485388.jpg Les Trois Grâces (The Three Graces), after an antique group now exhibited at the Library of the Duomo in Siena. Oil on canvas, 1797-1798.
Baron Jean-Baptiste Regnault L ORIGINE DE LA SCULPTURE OU PYGMALION PRIANT VENUS D ANIMER SA STATUE
new24/Baron Jean-Baptiste Regnault-986897.jpg Date 1786
Medium peinture X l'huile ; toile
Dimensions 120 X 140 cm (47.24 X 55.12 in)
cyf
Baron Jean-Baptiste Regnault Socrate arrachant Alcibiade du sein de la Volupte
new24/Baron Jean-Baptiste Regnault-984774.jpg Oil on canvas, 1791.
H. 46 cm (18 in.), W. 68 cm (26 ¾ in.)
cjr
Baron Jean-Baptiste Regnault L'education d'Achille par le centaure Chiron
new24/Baron Jean-Baptiste Regnault-487489.jpg L'Éducation d'Achille par le centaure Chiron (Achilles educated by Chiron). Oil on canvas, 1782.
cjr
Baron Jean-Baptiste Regnault Socrate arrachant Alcibiade du sein de la Volupte
new24/Baron Jean-Baptiste Regnault-699646.jpg Socrate arrachant Alcibiade du sein de la Voluptx (Socrates Tears Alcibiades from the Embrace of Sensual Pleasure). Oil on canvas, 1791.
Dimensions H. 46 cm (18 in.), W. 68 cm (26 ¾ in.)
cjr
Baron Jean-Baptiste Regnault Socrate arrachant Alcibiade du sein de la Volupte
new24/Baron Jean-Baptiste Regnault-549735.jpg Oil on canvas, 1791.
Date
Dimensions H. 46 cm (18 in.), W. 68 cm (26 ¾ in.)
cjr
Baron Jean-Baptiste Regnault Socrates Tears Alcibiades from the Embrace of Sensual Pleasure
new25/Baron Jean-Baptiste Regnault-954576.jpg Oil on canvas, 1791.
Date
Dimensions H. 46 cm (18 in.), W. 68 cm (26 ¾ in.)
cyf
Paris 1754-1829
French painter. His first teacher was the history painter Jean Bardin, who took him to Rome in 1768. Back in Paris in 1772, he transferred to the studio of Nicolas-Bernard Lepicie. In 1776 he won the Prix de Rome with Alexander and Diogenes (Paris, Ecole N. Sup. B.-A.) and returned to Rome, where he was to spend the next four years at the Academie de France in the company of Jacques-Louis David and Jean-Francois-Pierre Peyron. While witnessing at first hand Peyron's development of a manner indebted to Poussin and David's conversion to Caravaggesque realism, Regnault inclined first towards a Late Baroque mode in a Baptism of Christ (untraced; recorded in two sketches and an etching), then, in Perseus Washing his Hands (1779; Louisville, KY, Speed A. Mus.), to the static Neo-classicism of Anton Raphael Mengs.
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