GIuseppe Cesari Called Cavaliere arpino Adam and Eve Expelled from Paradise (mk05)
new5/GIuseppe Cesari Called Cavaliere arpino-293352.jpg Copper 20 x 15''(51 x 38 cm)Collection of Louis XVI acquired in 1777
GIuseppe Cesari Called Cavaliere arpino The Mocking of Christ
new16/GIuseppe Cesari Called Cavaliere arpino-875453.jpg c. 1598
Oil on canvas,
128 x 100 cm
GIuseppe Cesari Called Cavaliere arpino St Clare with the Scene of the Siege of Assisi
new16/GIuseppe Cesari Called Cavaliere arpino-443266.jpg Oil on panel,
37 x 45 cm
GIuseppe Cesari Called Cavaliere arpino Diana and Actaeon
new21/GIuseppe Cesari Called Cavaliere arpino-449669.jpg 1603-06 Oil on copper Museum of Fine Arts, Budapest Author: CESARI, Giuseppe Title: Diana and Actaeon (detail) , 1601-1650 , Italian Form: painting , mythological
GIuseppe Cesari Called Cavaliere arpino Diana and Actaeon
new21/GIuseppe Cesari Called Cavaliere arpino-678482.jpg 1603-06 Oil on copper Museum of Fine Arts, Budapest Author: CESARI, Giuseppe Title: Diana and Actaeon (detail) , 1601-1650 , Italian Form: painting , mythological
GIuseppe Cesari Called Cavaliere arpino Judith with the Head of Holofernes
new21/GIuseppe Cesari Called Cavaliere arpino-967562.jpg 61,3 x 48 cm Berkeley Art Museum, University of California Cavaliere d'Arpino's (Giulio Cesari's) Judith with the Head of Holofernes symbolically alludes to the violent decapitation of the Assyrian general without showing the gruesome moment that both Caravaggio and Artemisia Gentileschi chose to depict. Instead a beautiful, almost demure, Judith raises Holofernes' head by his locks as her maidservant Abra looks on in puzzled reverence. Cavaliere d'Arpino's Judith is the embodiment of female virtue and moral perfection, an ideal heroine who has redeemed her people. Yet, at the same time, she seems capable of exercising her seductive powers directly upon the viewer, as if the beholder were Holofernes. She is in possession of two dangerous weapons, her sword and her sexual allure. In 1602-03 Cavaliere d'Arpino had frescoed a series of Old Testament heroines in the Villa Aldobrandini at Frascati. There he depicted Judith as a full-length figure striding across the plain in front of the enemy encampment while Abra follows behind stuffing Holofernes' head into a sack. Topologically the figures are very similar, but in the easel painting Cavaliere d'Arpino condensed the composition so that the picture essentially becomes an idealised 'portrait' of Judith. In this sense it is very close to his Diana (Pinacoteca Capitolina, Rome), in which the huntress is also reduced to a half-length idealised figure. In both these 'portraits' there is an emphasis on the decorative effects of colour and design. The brilliant reds, blues and whites of Judith's costume serve as a foil for the carefully delineated jewels and golden sword hilt. Baglione emphasised that Cavaliere d'Arpino was capable of working in two different styles, one of which was far more superficial than the other. It is likely that the more
GIuseppe Cesari Called Cavaliere arpino David with the Head of Goliath
new24/GIuseppe Cesari Called Cavaliere arpino-764895.jpg oil on canvas by Giuseppe Cesari called Cavalier D'Arpino, 1598
Date 1598(1598)
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GIuseppe Cesari Called Cavaliere arpino Christ Taken Prisoner
new25/GIuseppe Cesari Called Cavaliere arpino-756366.jpg 1597(1597)
Medium oil on walnut
Dimensions Height: 89 cm (35 in). Width: 62 cm (24.4 in).
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GIuseppe Cesari Called Cavaliere arpino Madonna and Child with Sts
new26/GIuseppe Cesari Called Cavaliere arpino-364689.jpg between 1608(1608) and 1609(1609)
Medium oil on canvas
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GIuseppe Cesari Called Cavaliere arpino Perseus Rescuing Andromeda
new26/GIuseppe Cesari Called Cavaliere arpino-536563.jpg circa 1593-1594
Medium oil on lapis lazuli
Dimensions 7 7/8 x 6 1/16 in.
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GIuseppe Cesari Called Cavaliere arpino St Francis Consoled by an Angel
new26/GIuseppe Cesari Called Cavaliere arpino-747433.jpg circa 1593(1593)
Medium oil on canvas
Dimensions Height: 270 cm (106.3 in). Width: 198 cm (78 in).