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Panini, Giovanni Paolo
Ruins with Scene of the Apostle Paul Preaching
new5/Panini, Giovanni Paolo-646442.jpg
1744
Oil on canvas
The Hermitage, St. Petersburg.
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Panini, Giovanni Paolo
The Plaza and Church of St. Maria Maggiore
new5/Panini, Giovanni Paolo-836634.jpg
1744
Oil on canvas
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Panini, Giovanni Paolo
Roman Ruins with Figures
new5/Panini, Giovanni Paolo-334365.jpg
1730
Oil on canvas
National Gallery, London.
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Panini, Giovanni Paolo
Interior of Saint Peter's, Rome
new5/Panini, Giovanni Paolo-286499.jpg
1746-54
Oil on canvas
National Gallery of Art, Washington D.C.
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Panini, Giovanni Paolo
View of Rome from Mt. Mario, In the Southeast
new5/Panini, Giovanni Paolo-289946.jpg
1749
Oil on canvas
Gemäldegalerie, Berlin.
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Panini, Giovanni Paolo
Interior of a Picture Gallery with the Collection of Cardinal Gonzaga
new5/Panini, Giovanni Paolo-682573.jpg
1749
Oil on canvas
Wadsworth Atheneum, Hartford, CT.
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Panini, Giovanni Paolo
Departure of Duc de Choiseul from the Piazza di St. Pietro
new5/Panini, Giovanni Paolo-855739.jpg
1754
Oil on canvas
Gemäldegalerie, Berlin.
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Panini, Giovanni Paolo
Ruins with Scene of the Apostle Paul Preaching
new3/Panini, Giovanni Paolo-725776.jpg
mk60
1744
Oil on cnavas
25x33"
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Panini, Giovanni Paolo
Adoration of the Shepherds
new23/Panini, Giovanni Paolo-636569.jpg
Date ca. 1755(1755)
Medium Oil on canvas
Dimensions 96.5 X 73.3 cm (37.99 X 28.86 in)
cyf
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Panini, Giovanni Paolo
Italian Neoclassical Painter, ca.1691-1765
Italian painter, architect and stage designer. He was a highly prolific and versatile painter, best known for his numerous vedute of Rome, many of which focused on the remnants of the city's Classical past. Ceremonies and festivals often feature in his vedute, which thus constitute a lively documentation of contemporary topography, lifestyle and customs. In contrast to Bernardo Bellotto and Gaspar van Wittel, his treatment is picturesque rather than rigorous; he liked to enliven and animate his views by adding numerous figures. He worked exclusively in Rome and by the end of his career was the head of a thriving workshop that included the Frenchman Hubert Robert (in Rome from 1754) and Panini's son Francesco Panini (b 1738).
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