100% hand painted, 100% cotton canvas, 100% money back if not satisfaction.
Monamy, Peter
English Painter, 1681-1749
English painter. It seems likely that his family origins and name were French. The Painter-Stainers' Company records that he was apprenticed as a house painter to William Clarke from 1696, but by 1710 he had become a marine artist, filling the gap in the market left by the death of Willem van de Velde the younger in 1707. Most of his subsequent career was devoted to careful imitations of van de Velde's style (and, in some cases, of particular pictures), by which, according to Vertue, 'he distinguished himself and came into reputation'. He maintained his links with the Painter-Stainers, of which he had been made a freeman in 1703
100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
Monamy, Peter Four Prints of an election
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it's included here to illustrate the importance of the painting of inn signs and shop signs generally.
Monamy, Peter the Large picture of the Royal Sovereign
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Oil on canvas
7x5ft
Not Signed
it's a very big picture indeed
Monamy, Peter Flagship of Sir John Leake,coming to anchor in the bay of Barcelona
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15.5.1708
Calling a Council of War on board
Monamy, Peter The Privafteer Squadron,known as the Royal Family
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Raised by a Syndicate of London merchants in 1745 and commanded by Commodore James Talbot in the Prince Frederick of 32 guns
Monamy, Peter The Royal yacht Peregrine arriving in the Thames estuary with King George i aboard in September 1714
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39x60
Monamy, Peter The Royal yacht Peregrine and another yacht in the Medway off Gillingham Kent,Passing Upnor Castel
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26inx61in
Monamy, Peter A panoranma of the Bosporus at Constantinople the City spread along the European western shore,the Asian eastern shore guarded by Leander-s Tower
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English Painter, 1681-1749
English painter. It seems likely that his family origins and name were French. The Painter-Stainers' Company records that he was apprenticed as a house painter to William Clarke from 1696, but by 1710 he had become a marine artist, filling the gap in the market left by the death of Willem van de Velde the younger in 1707. Most of his subsequent career was devoted to careful imitations of van de Velde's style (and, in some cases, of particular pictures), by which, according to Vertue, 'he distinguished himself and came into reputation'. He maintained his links with the Painter-Stainers, of which he had been made a freeman in 1703
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