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Chase, William Merritt
The Orangerie
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1910, oil on cradled panel
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Chase, William Merritt
Woman in White
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1910, oil on canvas, Indianapolis Museum of Art.
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Chase, William Merritt
Portrait of Kate Freeman Clark
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1902, oil on canvas, Kate Freeman Clark Art Gallery.
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Chase, William Merritt
A Friendly Visit
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1895.
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Chase, William Merritt
Dorothy
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1902, oil on canvas, Indianapolis Museum of Art
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Chase, William Merritt
Long Island Landscape after a Shower of Rain
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1885-89, oil on canvas, Indianapolis Museum of Art.
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Chase, William Merritt
Early Morning Stroll
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1887-91, oil on canvas, private collection
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Chase, William Merritt
In the Studio
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1882, oil on canvas, The Brooklyn Museum
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Chase, William Merritt
The End of the Season
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1885, pastel on paper, Mount Holyoke College Art Museum, South Hadley, Mass.
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Chase, William Merritt
The Tenth Street Studio
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1881-82, oil on canvas, Henry E. Huntington Art Collections & Botanical Gardens
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Chase, William Merritt
In the Studio Corner
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1881, oil on canvas, Canajoharie Library and Art Gallery, New York
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Chase, William Merritt
Woman of Holland
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1903, oil on canvas.
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Chase, William Merritt
Still Life with Brass Bowl
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1903, oil on canvas, Indianapolis Museum of Art
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Chase, William Merritt
Shinnecock Hills
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1891, oil on panel, Wadsworth Atheneum, Hartford
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Chase, William Merritt
Hide and Seek
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1888, oil on canvas, Phillips Collection, Washington D.C.
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Chase, William Merritt
A Friendly Visit (nn03)
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1895
Oil on canvas 76.8 x 122.5 cm 30 1/4 x 48 1/4 in
National Gallery of Art Washington DC
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Chase, William Merritt
American Impressionist Painter, 1849-1916
American painter and printmaker. He received his early training in Indianapolis from the portrait painter Barton S. Hays (1826-75). In 1869 he went to New York to study at the National Academy of Design where he exhibited in 1871. That year he joined his family in St Louis, where John Mulvaney (1844-1906) encouraged him to study in Munich. With the support of several local patrons, enabling him to live abroad for the next six years, Chase entered the K?nigliche Akademie in Munich in 1872. Among his teachers were Alexander von Wagner (1838-1919), Karl Theodor von Piloty and Wilhelm von Diez (1839-1907). Chase also admired the work of Wilhelm Leibl. The school emphasized bravura brushwork, a technique that became integral to Chase's style, favoured a dark palette and encouraged the study of Old Master painters, particularly Diego Vel?zquez and Frans Hals. Among Chase's friends in Munich were the American artists Walter Shirlaw, J. Frank Currier and Frederick Dielman (1847-1935),
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