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VERNET, Claude-Joseph
View of Naples uit
VERNET, Claude-Joseph1.jpg
1748
Oil on canvas, 100 x 198 cm
Mus??e du Louvre, Paris
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VERNET, Claude-Joseph
Shepherd in the Alps we r
VERNET, Claude-Joseph2.jpg
Oil on canvas
Mus??e des Beaux-Arts, Tours
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VERNET, Claude-Joseph
Shipwreck wr
VERNET, Claude-Joseph3.jpg
1759
Oil on canvas, 96 x 134,5 cm
Groeninge Museum, Bruges
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VERNET, Claude-Joseph
The Town and Harbour of Toulon aer
VERNET, Claude-Joseph4.jpg
1756
Oil on canvas, 165 x 263 cm
Mus??e du Louvre, Paris
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VERNET, Claude-Joseph
View of Naples with Nt.Vesuvius (mk05)
new6/VERNET, Claude-Joseph-397876.jpg
Canvas,39 3/4 x 77''(99 x 197 cm)Acquired by the Louvre in 1976 R.F
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VERNET, Claude-Joseph
View of the Gulf of Naples (mk05)
new6/VERNET, Claude-Joseph-248983.jpg
1748
Canvas,39 x 77 1/4''(100 x 198 cm)Formerly in the Pereire Collection R.F
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VERNET, Claude-Joseph
Storm with a Shipwreck
new9/VERNET, Claude-Joseph-229775.jpg
1754
Oil on canvas,
87 x 137 cm
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VERNET, Claude-Joseph
Morning
new16/VERNET, Claude-Joseph-949353.jpg
mk156
1760
Oil on canvas
65.5x98.5cm
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VERNET, Claude-Joseph
The City and Harbour of Toulon
new16/VERNET, Claude-Joseph-937985.jpg
mk156
1756
Oil on canvas
165x263cm
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VERNET, Claude-Joseph
A Seashore
new16/VERNET, Claude-Joseph-666932.jpg
1776
Oil on copper,
62 x 85 cm
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VERNET, Claude-Joseph
Shipwreck
new18/VERNET, Claude-Joseph-237847.jpg
1759
Oil on canvas,
96 x 134,5 cm
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VERNET, Claude-Joseph
The Artist's Studio
new21/VERNET, Claude-Joseph-992653.jpg
52 x 64 cm Private collection The picture shows the artist's as a crowded and social space, where work was more likely to be interrupted by loungers and visitors, fencing matches and dog fights, than by melancholy soul-searching. Yet in fact this is an image of frustration. The fall of Napoleon had left the once-fashionable Vernet bereft of subjects and patrons, and his political views had excluded him from the Paris Salon of 1821. He had been obliged to show in this very studio, including his picture of it as an ironic symbol of the impasse to which he had been brought. Author: VERNET, Horace Title: The Artist's Studio Form: painting , 1801-1850 , French , interior
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VERNET, Claude-Joseph
Belisarius
new21/Vincent Van Gogh-844648.jpg
1776 Oil on canvas, 98 x 129 cm Mus?e Fabre, Montpellier The theme of Belisarius was much in vogue from the 1770s, and in addition to Jacques-Louis David, rival artists of David's own generation, such as Pierre Peyron and Fran?ois-Andr?Vincent, had painted their own versions of the subject. Vincent's Belisarius is reduced to begging, and receives the charity from a soldier in Justinian's army. Here there is no sense of recognition, the blind former general is oblivious to the identity of his benefactor. Vincent also took the unorthodox step of creating a group of half-length figures, an unusual device in France at this time. Author: VINCENT, Fran?ois-Andr? Title: Belisarius Form: painting , 1751-1800 , French , historical
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VERNET, Claude-Joseph
Storm with a Shipwreck
new24/VERNET, Claude-Joseph-979944.jpg
1754, Oil on canvas, 87 x 137 cm, Wallace Collection, London
cyf
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VERNET, Claude-Joseph
La tour Apigne a Rennes
new26/VERNET, Claude-Joseph-874564.jpg
1836(1836)
Medium oil on canvas
Dimensions 31.5 x 38 cm
cyf
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VERNET, Claude-Joseph
French Painter, 1714-1789
Painter. Vernet probably received his first lessons in painting from his father, Antoine, who then encouraged him to move to the studio of Philippe Sauvan (1697-1792), the leading master in Avignon. Sauvan supplied altarpieces to local churches and decorative works and mythologies for grand houses in the area. After this apprenticeship Vernet worked in Aix-en-Provence with the decorative painter Jacques Viali ( fl 1681- 1745), who also painted landscapes and marine pictures. In 1731 Vernet independently produced a suite of decorative overdoors for the h?tel of the Marquise de Simiane at Aix-en-Provence; at least two of these survive (in situ) and are Vernet's earliest datable landscapes. These are early indications of his favoured type of subject, and Vernet would have studied works attributed to such 17th-century masters as Claude Lorrain, Gaspard Dughet and Salvator Rosa in private collections at Aix and Avignon. Three years later Joseph de Seytres, Marquis de Caumont, who had previously recommended Vernet to the Marquise de Simiane, offered to sponsor a trip to Italy.
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