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SCHAUFELEIN, Hans LeonhardGerman Northern Renaissance Painter, ca.1480-1540
was a German painter, designer, and wood engraver. He was born in Nuremberg, probably studied under Wohlgemut, and then became the assistant of D??rer, whom he imitated. In 1512 he went to Augsburg and in 1515 removed to Nordlingen. He is a graceful narrator, and his types, though rarely accurately drawn, are attractive, but he lacks power and depth. Characteristic early paintings are the altarpiece at Ober Sankt Veit[1], near Vienna (1502), "Scenes from the Life of Christ" (Dresden Gallery), and "St. Jerome" (Germanic Museum, Nuremberg). To his Nordlingen period belong his masterpiece, the so-called "Ziegler Altar" for St. George's Church (1521), part of which is still in the church, part in the museum; "Scenes from the Story of Judith," in the town hall; and the illuminated Psalter for Count von Ottingen, now in the Berlin print room. His most important woodcuts are those for the Theuerdank of Emperor Maximilian.
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100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
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SCHAUFELEIN, Hans Leonhard
The Agony in the Garden fh
new1/SCHAUFELEIN, Hans Leonhard1.jpg
1516
Lime panel
Alte Pinakothek, Munich
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SCHAUFELEIN, Hans Leonhard
The Birth of Christ sft
new1/SCHAUFELEIN, Hans Leonhard2.jpg
1505-06
Wood, 27 x 15 cm
Christian Museum, Esztergom
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SCHAUFELEIN, Hans Leonhard
Portrait of a Man WRY
new1/SCHAUFELEIN, Hans Leonhard3.jpg
1505
Oil on wood
Galleria Borghese, Rome
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SCHAUFELEIN, Hans Leonhard
The Circumcision of Christ
new9/SCHAUFELEIN, Hans Leonhard-655825.jpg
1505-06
Wood, 26 x 15 cm
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SCHAUFELEIN, Hans Leonhard
German Northern Renaissance Painter, ca.1480-1540
was a German painter, designer, and wood engraver. He was born in Nuremberg, probably studied under Wohlgemut, and then became the assistant of D??rer, whom he imitated. In 1512 he went to Augsburg and in 1515 removed to Nordlingen. He is a graceful narrator, and his types, though rarely accurately drawn, are attractive, but he lacks power and depth. Characteristic early paintings are the altarpiece at Ober Sankt Veit[1], near Vienna (1502), "Scenes from the Life of Christ" (Dresden Gallery), and "St. Jerome" (Germanic Museum, Nuremberg). To his Nordlingen period belong his masterpiece, the so-called "Ziegler Altar" for St. George's Church (1521), part of which is still in the church, part in the museum; "Scenes from the Story of Judith," in the town hall; and the illuminated Psalter for Count von Ottingen, now in the Berlin print room. His most important woodcuts are those for the Theuerdank of Emperor Maximilian.
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