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RICCI, Sebastiano
Dream of Aesculapius
new1/RICCI, Sebastiano1.jpg
c. 1710
Oil on canvas, 62 x 101 cm
Gallerie dell'Accademia, Venice
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RICCI, Sebastiano
Paul III Appointing His Son Pier Luigi to Duke of Piacenza and Parma dt
new1/RICCI, Sebastiano3.jpg
c. 1687
Oil on canvas
Museo Civico, Palazzo Farnese, Piacenza
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RICCI, Sebastiano
Fall of Phaeton
new1/RICCI, Sebastiano4.jpg
1703-04
Oil on canvas
Museo Civico, Belluno
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RICCI, Sebastiano
The Punishment of Cupid
new1/RICCI, Sebastiano5.jpg
1706-07
Oil on canvas
Palazzo Marucelli-Fenzi, Florence
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RICCI, Sebastiano
Susanna and the Elders
new1/RICCI, Sebastiano6.jpg
1713
Oil on canvas, 83,2 x 102,2 cm
Collection of Lord Chatsworth, Chatsworth
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RICCI, Sebastiano
Venus and Adonis
new1/RICCI, Sebastiano7.jpg
1705-06
Oil on canvas, 70 x 40 cm
Mus??e des Beaux-Arts, Orl??ans
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RICCI, Sebastiano
Venus and Satyr sg
new1/RICCI, Sebastiano8.jpg
1720s
Oil on canvas, 102 x 125,5 cm
Museum of Fine Arts, Budapest
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RICCI, Sebastiano
Moses Defending the Daughters of Jethro
new1/RICCI, Sebastiano9.jpg
1720s
Oil on canvas, 114 x 178 cm
Museum of Fine Arts, Budapest
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RICCI, Sebastiano
Bathsheba at the Bath
new1/RICCI, Sebastiano10.jpg
1720s
Oil on canvas, 118,5 x 199 cm
Museum of Fine Arts, Budapest
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RICCI, Sebastiano
Bathsheba in her Bath
new1/RICCI, Sebastiano11.jpg
c. 1725
Oil on canvas, 111,8 x 144,3 cm
Staatliche Museen, Berlin
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RICCI, Sebastiano
The Adoration of the Magi
new1/RICCI, Sebastiano12.jpg
1726-30
Oil on canvas, 330,2 x 289,6 cm
Royal Collection,
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RICCI, Sebastiano
St Pius, St Thomas of Aquino and St Peter Martyr
new1/RICCI, Sebastiano13.jpg
1730-33
Oil on canvas, 343 x 169 cm
S. Maria del Rosario (Gesuati), Venice
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RICCI, Sebastiano
Bacchus and Ariadne
new1/RICCI, Sebastiano14.jpg
c. 1713
Oil on canvas, 189 x 104 cm
Chiswick House, London
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RICCI, Sebastiano
Allegory of France as Minerva or Wisdom Who Treads Ignorance Underfoot and Crowns Martial Virtue (mk05)
new6/RICCI, Sebastiano-288757.jpg
1718
Canvas 44 1/2 x 33 1/2''(113 x 85 cm)Reception Picture at the Academie Royale de Peinture et de Sculpture Transferred to the Louvre in the Revolution INV
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RICCI, Sebastiano
Jove and Semele
new3/RICCI, Sebastiano-589528.jpg
mk65
Oil on canvas
75 3/16x59 7/16in
Uffizi
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RICCI, Sebastiano
Hercules at the Crossroads
new3/RICCI, Sebastiano-644489.jpg
mk67
Oil on canvas
25 9/16x15 3/16in
Uffizi,
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RICCI, Sebastiano
Recreation by our Gallery
new9/RICCI, Sebastiano-486525.jpg
mk79
1706-1707
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RICCI, Sebastiano
Betsabea al Bagno
new9/RICCI, Sebastiano-247353.jpg
mk79
1720
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RICCI, Sebastiano
Allegory of Tuscany
new16/RICCI, Sebastiano-736635.jpg
mk156
1706
Oil on canvas
90x70.5cm
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RICCI, Sebastiano
Bacchus and Ariadne
new16/RICCI, Sebastiano-587885.jpg
mk170
1700-1710
Oil on canvas
75.9x63.2cm
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RICCI, Sebastiano
Victim at Vesta
new17/RICCI, Sebastiano-824996.jpg
mk186
1723 Dresden, Gemaldegalerie old masters
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RICCI, Sebastiano
Altar of St Gregory the Great
new19/RICCI, Sebastiano-285844.jpg
Oil on canvas
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RICCI, Sebastiano
The Liberation of St Peter
new19/RICCI, Sebastiano-532838.jpg
1722
Oil on canvas
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RICCI, Sebastiano
Prayer in the Garden
new19/RICCI, Sebastiano-393928.jpg
c. 1730
Oil on canvas,
95 x 76 cm
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RICCI, Sebastiano
The Adoration of the Magi
new21/RICCI, Sebastiano-982573.jpg
1726-30 Oil on canvas, 330,2 x 289,6 cm Royal Collection, Windsor The artist's bold and colourful treatment of the theme (Saint Matthew 2:9-11) is a link in Venetian painting between Paolo Veronese and Giovanni Battista Tiepolo. The composition is derived in its essentials from the altarpiece painted by Veronese in 1573 for the church of San Silvestro, Venice (now in the National Gallery, London) and anticipates the altarpiece painted by Tiepolo in 1753 for the monastery of Schwarzach in Franconia (now in the Alte Pinakothek, Munich). All three works are large, but the composition by Tiepolo differs from the others, which are almost square in format, by being compressed into a vertical. The Adoration of the Magi was acquired by George III in 1762 from Consul Joseph Smith and formed part of a series of seven pictures of New Testament subjects. The related paintings are Christ and the Woman who Believed, Christ and the Woman of Samaria, The Magdalen anointing Christ's Feet (all still in the Royal Collection), The Pool of Bethesda and The Woman taken in Adultery (Ministry of Works, presently at Osterley House) and The Sermon on the Mount, which is lost. All these paintings, with the exception of the present work, illustrate scenes from Christ's ministry. The origin of the commission for this series of paintings is unknown. The size of the undertaking (the dimensions in each case are extremely large and there are fundamental changes in format) has caused the series to be associated with an unrecorded commission for the Royal House of Savoy in Turin, for whom Ricci worked during the 1720s. The painting demonstrates Sebastiano Ricc's role in the evolution of Rococo art in Venice, which reached its climax in the work of Tiepolo. The setting of The Adoration of the Magi is dramatic, the brushwork full of verve and panache and the colours bright. Several changes in the composition can be seen with the naked eye, especially in the centre. The artist travelled extensively in Italy and also worked in England from 1711/12 to 1716, returning home via France. He formed a partnership with his nephew, Marco (1676-1730), who, according to Gherardi, painted the architectural background to The Adoration of the Magi and the related pictures. Artist: RICCI, Sebastiano Painting Title: The Adoration of the Magi , 1701-1750 Painting Style: Italian , , religious
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RICCI, Sebastiano
Die angeklagte Susanna und der Prophet Daniel
new23/RICCI, Sebastiano-795479.jpg
Date 1725-1726
Medium Oil on canvas
Dimensions 243 x 440 cm (95.67 x 173.23 in)
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RICCI, Sebastiano
Grabmal des Herzogs von Devonshire
new24/RICCI, Sebastiano-445655.jpg
Date 1725
Medium Oil on canvas
Dimensions Deutsch: 217 ?? 138 cm
cyf
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RICCI, Sebastiano
Rusticus von Verona sowie ein Engel
new24/RICCI, Sebastiano-578674.jpg
1704
Medium Oil on canvas
Dimensions Deutsch: 380 x 250 cm
cyf
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RICCI, Sebastiano
Italian painter, Venetian school (b. 1659, Belluno, d. 1734, Venezia).Painter and draughtsman. He painted light and colourful religious, historical and mythological subjects with a fluid, painterly touch. His rediscovery of Paolo Veronese, whose settings and costumes he borrowed, was important to later Venetian painters. Sebastiano was an itinerant artist, celebrated throughout Europe.
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