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PROCACCINI, Giulio CesareItalian Baroque Era Painter and Sculptor, 1574-1625
..Painter and sculptor, son of Ercole Procaccini. Having moved to Milan with the rest of the family in the mid-1580s, he trained as a sculptor, perhaps in the workshop of Francesco Brambilla, and then worked (1591-9) for the workshop of Milan Cathedral. The results of this work are difficult to identify, and the most secure attribution is the left term on the altar of St Joseph. There followed a period (1597-1602) of intense sculptural activity for the church of S Maria presso S Celso, for the fa?ade of which he executed two high reliefs in marble, the Visitation and Birth of the Virgin. In 1597 he may have accompanied his brother Camillo to Reggio Emilia, where Camillo added to his earlier fresco decorations for S Prospero. Between 1597 and 1600 Giulio Cesare is documented as working as a sculptor for Cremona Cathedral, to which two sculptures, St Matthew and St John, were delivered, after many delays, in 1625. He also produced the gilded wood Guardian Angel (1597; Cremona, Mus. Civ. Ala Ponzone) for S Monica, Cremona. From Cremona he travelled to Parma,
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100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
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PROCACCINI, Giulio Cesare
The Mystic Marriage of St Catherine af
new1/PROCACCINI, Giulio Cesare2.jpg
Oil on canvas, 145 x 145 cm
Pinacoteca di Brera, Milan
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PROCACCINI, Giulio Cesare
St Sebastian Tended by Angels af
new1/PROCACCINI, Giulio Cesare3.jpg
1610-12
Oil on wood, 285 x 139 cm
Mus??es Royaux des Beaux-Arts, Brussels
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PROCACCINI, Giulio Cesare
The Martyrdom of St Sebastian af
new1/PROCACCINI, Giulio Cesare4.jpg
Oil on canvas
Civico Museo d'Arte Antica, Castello Sforzesco, Milan
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PROCACCINI, Giulio Cesare
The Mystical Marriage of St.Catherine
new3/PROCACCINI, Giulio Cesare-639733.jpg
mk65
Oil on panel
22x29"
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PROCACCINI, Giulio Cesare
Italian Baroque Era Painter and Sculptor, 1574-1625
..Painter and sculptor, son of Ercole Procaccini. Having moved to Milan with the rest of the family in the mid-1580s, he trained as a sculptor, perhaps in the workshop of Francesco Brambilla, and then worked (1591-9) for the workshop of Milan Cathedral. The results of this work are difficult to identify, and the most secure attribution is the left term on the altar of St Joseph. There followed a period (1597-1602) of intense sculptural activity for the church of S Maria presso S Celso, for the fa?ade of which he executed two high reliefs in marble, the Visitation and Birth of the Virgin. In 1597 he may have accompanied his brother Camillo to Reggio Emilia, where Camillo added to his earlier fresco decorations for S Prospero. Between 1597 and 1600 Giulio Cesare is documented as working as a sculptor for Cremona Cathedral, to which two sculptures, St Matthew and St John, were delivered, after many delays, in 1625. He also produced the gilded wood Guardian Angel (1597; Cremona, Mus. Civ. Ala Ponzone) for S Monica, Cremona. From Cremona he travelled to Parma,
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