100% hand painted, 100% cotton canvas, 100% money back if not satisfaction.
POUSSIN, Nicolas
French Baroque Era Painter, 1594-1665
French painter and draughtsman, active in Italy. His supreme achievement as a painter lies in his unrivalled but hard-won capacity to subordinate dramatic narrative and the expression of extreme states of human passions to the formal harmony of designs based on the beauty and precision of abstract forms. The development of his art towards this end was focused on the search for a point of equilibrium and synthesis between the forces of the Classical and the Baroque around which most critical debate in Rome was concentrated during the 1630s. Poussin did not aspire to the classicism of Raphael's idealized human forms or Michelangelo's re-embodiment of the physical splendours of the antique world, nor did he attempt to vie with the bravura and energy of Annibale Carracci's treatment of Classical mythology in the Galleria of the Palazzo Farnese in Rome. Equally he was not concerned with the illusionistic effects and heightened emotionalism of Baroque artists such as Pietro da Cortona and Lanfranco. He was concerned above all with interpreting his subject-matter, whether Classical or religious, and telling a story with the greatest possible concentration of emotional response,
100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
POUSSIN, Nicolas The Adoration of the Golden Calf g
new1/POUSSIN, Nicolas28.jpg c. 1634
Oil on canvas, Iaid down on board, 154 x 214 cm
National Gallery, London
POUSSIN, Nicolas Helios and Phaeton with Saturn and the Four Seasons sf
new1/POUSSIN, Nicolas29.jpg c. 1635
Oil on canvas, 122 x 153 cm
Staatliche Museen, Berlin
POUSSIN, Nicolas The Rape of the Sabine Women sg
new1/POUSSIN, Nicolas30.jpg 1634-35
Oil on canvas, 154,6 x 209,9 cm
Metropolitan Museum of Art, New York
POUSSIN, Nicolas The Destruction of the Temple at Jerusalem afg
new1/POUSSIN, Nicolas34.jpg 1637
Oil on canvas, 147 x 198,5 cm
Kunsthistorisches Museum, Vienna
French Baroque Era Painter, 1594-1665
French painter and draughtsman, active in Italy. His supreme achievement as a painter lies in his unrivalled but hard-won capacity to subordinate dramatic narrative and the expression of extreme states of human passions to the formal harmony of designs based on the beauty and precision of abstract forms. The development of his art towards this end was focused on the search for a point of equilibrium and synthesis between the forces of the Classical and the Baroque around which most critical debate in Rome was concentrated during the 1630s. Poussin did not aspire to the classicism of Raphael's idealized human forms or Michelangelo's re-embodiment of the physical splendours of the antique world, nor did he attempt to vie with the bravura and energy of Annibale Carracci's treatment of Classical mythology in the Galleria of the Palazzo Farnese in Rome. Equally he was not concerned with the illusionistic effects and heightened emotionalism of Baroque artists such as Pietro da Cortona and Lanfranco. He was concerned above all with interpreting his subject-matter, whether Classical or religious, and telling a story with the greatest possible concentration of emotional response,
Wholesale China Oil Painting Wholesale Oil Painting China Xiamen Portrait Reproduction Chinese Oil Painting Wholesale USA Oil Painting