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PACHER, Michael
Annunciation aghe
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1465-70
Panel, 100 x 97 cm
Alte Pinakothek, Munich
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PACHER, Michael
St Lawrence Distributing the Alms ag
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1465-70
Panel, 100 x 97 cm
Alte Pinakothek, Munich
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PACHER, Michael
St Catherine ag
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1465-70
Panel, 511 x 49,5 cm
Tiroler Landesmuseum Ferdinandeum, Innsbruck
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PACHER, Michael
Altarpiece of the Church Fathers: St Augustine Liberating a Prisoner G
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c. 1483
Panel, 103 x 91 cm
Alte Pinakothek, Munich
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PACHER, Michael
Flagellation agy
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1495-98
Panel, 113 x 139,5 cm
Österreichische Galerie, Vienna
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PACHER, Michael
The Engagement of Virgin zg
new1/PACHER, Michael6.jpg
1495-98
Panel, 113 x 139,5 cm
Österreichische Galerie, Vienna
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PACHER, Michael
The Resurrection of Lazarus.From the St Wolfgang Altar (mk08)
new6/PACHER, Michael-246665.jpg
1471-1481
Tempera on wood
175x130
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PACHER, Michael
St Augustine and St Gregory (mk08)
new6/PACHER, Michael-953927.jpg
c.1480
Oil on wood,
Munich,Bayerische Staatsgemaldesammlun-gen,
Alte Pinakothek
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PACHER, Michael
The Resurrection of Lazarus
new9/PACHER, Michael-776399.jpg
mk86
1471-1481
Tempera on wood
175x130cm
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PACHER, Michael
St Augustine and St Gregory
new9/PACHER, Michael-985574.jpg
mk86
c.1480
Oil on wood
212x100cm
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PACHER, Michael
Resurrection of Lazarus
new12/PACHER, Michael-436982.jpg
mk156
1471-1481
Tempera on wood
175x130cm
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PACHER, Michael
Altarpiece of the Earyly Chuch Fathers
new12/PACHER, Michael-389729.jpg
mk156
c.1480
Oil on panel
216x380cm
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PACHER, Michael
The Virgin and Child Enthroned with Angels and Saints
new16/PACHER, Michael-574464.jpg
mk170
1480-1490
Oil on silver
40.3x39.4cm
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PACHER, Michael
Christ in Li
new19/PACHER, Michael-236765.jpg
1460s
Tempera on pine panel,
85 x 71,5 cm
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PACHER, Michael
Altarpiece of the Church Fathers
new19/PACHER, Michael-829277.jpg
c. 1483 Wood, 212 x 200 cm
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PACHER, Michael
Mary of Burgundy
new19/PACHER, Michael-469833.jpg
c. 1490 Oil on wood, 47,5 x 35 cm
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PACHER, Michael
Christ in Limbo
new21/PACHER, Michael-698969.jpg
85 x 71,5 cm Museum of Fine Arts, Budapest As a fulfillment of redemption, Christ, having broken open the gates of hell, has brought with him the pious figures of the Old Testament, holding Adam by the hand as the symbolical incorporation of the whole of humanity. Allusions to this forced invasion, a favoured incident of popular legends and mystery plays, are found even in the Divine Comedy; here it is indicated by cracked and broken stones. It is typical of medieval thinking that hell is represented as a well-guarded building of huge stones, a sort of immense fortified prison; the notions of release, heaven, enjoyment of the delights of Paradise, are conveyed by a fresh green meadow encircled by mountains and forests of fantastic shape, worthy of the imagination of a Tyrolese painter. As symbol of his triumph over death, Christ holds the banner of victory in his hand; the wounds on his hands and feet are clearly visible.Artist:PACHER, Friedrich Title: Christ in Limbo Painted in 1451-1500 , Austrian - - painting : religious
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PACHER, Michael
Christ in Limbo
new21/PACHER, Michael-432623.jpg
1460s Tempera on pine panel Museum of Fine Arts, Budapest Obviously, every action of the devil against Christ is hopeless and can do no harm. It is ludicrous to see him lean out from his castle at the risk of losing his balance; the fires of hell illuminate his backside with a reddish glow, while he gnashes his teeth mixed with fangs, brandishes his two-pronged fork, and makes a threatening gesture with the blunt, fleshy fingers of his other hand. His head is like that of a he-goat, on his arms there are prickles reminiscent of a bat's wings; the contours of a beak-like nose on his belly complete the phantom figure of horror created by the fantasy of the Middle Ages.Artist:PACHER, Friedrich Title: Christ in Limbo (detail) Painted in 1451-1500 , Austrian - - painting : religious
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PACHER, Michael
Austrian Northern Renaissance Painter, ca.1430-1498
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