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NATTIER, Jean-Marc
Marie Adelaide of France as Flora ag
NATTIER, Jean-Marc1.jpg
1742
Oil on canvas, 94,5 x 128,5 cm
Galleria degli Uffizi, Florence
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NATTIER, Jean-Marc
Marie Adelaide of France as Diana sg
NATTIER, Jean-Marc2.jpg
1745
Oil on canvas, 95 x 128 cm
Galleria degli Uffizi, Florence
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NATTIER, Jean-Marc
Madame Marsollier and her Daughter sg
NATTIER, Jean-Marc3.jpg
1749
Oil on canvas
Metropolitan Museum of Art, New York
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NATTIER, Jean-Marc
Madame Victoire ag
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1748
Oil on canvas, 64 x 81 cm
Mus??e de Versailles, Versailles
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NATTIER, Jean-Marc
Portrait of a Young Woman Painter sg
NATTIER, Jean-Marc5.jpg
Oil on canvas
La Cour d'Or, Mus??es de Metz, Metz
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NATTIER, Jean-Marc
Mademoiselle de Clermont en Sultane sg
NATTIER, Jean-Marc6.jpg
1733
Oil on canvas, 109 x 105 cm
Wallace Collection, London
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NATTIER, Jean-Marc
Comtesse Tessin age
NATTIER, Jean-Marc7.jpg
1741
Oil on canvas, 81 x 65 cm
Mus??e du Louvre, Paris
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NATTIER, Jean-Marc
Comtesse de Tillieres sg
NATTIER, Jean-Marc8.jpg
1750
Oil on canvas, 80 x 63 cm
Wallace Collection, London
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NATTIER, Jean-Marc
Portrait of Madame Maria Zeffirina sg
NATTIER, Jean-Marc9.jpg
1751
Oil on canvas, 70 x 82 cm
Galleria degli Uffizi, Florence
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NATTIER, Jean-Marc
Marie Leczinska
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1748
Oil on canvas
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NATTIER, Jean-Marc
Portrait of Peter the Great
new18/NATTIER, Jean-Marc-466472.jpg
mk193
1717
Oil on canvas
142.5x110cm
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NATTIER, Jean-Marc
princesse de Masseran
new22/NATTIER, Jean-Marc-476698.jpg
Description Charlotte Louise de Rohan (1722-1786), princesse de Masseran.jpg
English: Painting of Charlotte Louise de Rohan, daughter of Hercule M??riadec de Rohan, Prince of Gu??m??n?? and Louise Gabrielle Julie de Rohan, by Nattier
Date 1738
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NATTIER, Jean-Marc
French Rococo Era Painter, 1685-1766
Brother of Jean-Baptiste Nattier. As well as being taught by his father, he trained with his godfather, Jean Jouvenet, and attended the drawing classes of the Acad?mie Royale, where in 1700 he won the Premier Prix de Dessin. From around 1703 he worked on La Galerie du Palais du Luxembourg. The experience of copying the work of Rubens does not, however, seem to have had a liberating effect on his draughtsmanship, which was described by the 18th-century collector Pierre-Jean Mariette as 'cold'. Nattier was commissioned to make further drawings for engravers in the early part of his career, including those after Hyacinthe Rigaud's famous state portrait of Louis XIV (1701; Paris, Louvre) in 1710, which indicates that he had established a reputation while he was still quite young. Although he was offered a place at the Acad?mie de France in Rome on the recommendation of Jouvenet, Nattier preferred to remain in Paris and further his career. In 1717 he nevertheless made a trip to Holland, where he painted portraits of Peter the Great and the Empress Catherine (St Petersburg, Hermitage).
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