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MEYTENS, Martin van
Queen Maria Theresia ag
MEYTENS, Martin van2.jpg
1750s
Oil on canvas
Akademie der Bildenden K??nste, Vienna
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MEYTENS, Martin van
Queen Maria Theresia g
MEYTENS, Martin van1.jpg
1750s
Oil on canvas
Akademie der Bildenden K??nste, Vienna
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MEYTENS, Martin van
Queen Maria Theresia sg
MEYTENS, Martin van3.jpg
1750s
Oil on canvas, 95,5 x 76,5 cm
Museum of Fine Arts, Budapest
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MEYTENS, Martin van
Empress Maria Theresa ga
MEYTENS, Martin van4.jpg
Oil on canvas
Town Hall, Ghent
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MEYTENS, Martin van
Emperor Francis I sg
MEYTENS, Martin van5.jpg
1750s
Oil on canvas, 95,5 x 77 cm
Museum of Fine Arts, Budapest
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MEYTENS, Martin van
Portrait of Denes BAnffy
MEYTENS, Martin van6.jpg
c. 1750
Oil on canvas, 207 x 116 cm
Historical Picture Gallery, Hungarian National Museum, Budapest
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MEYTENS, Martin van
The Imperial Family of Austria
new3/MEYTENS, Martin van-773877.jpg
mk67
Oil on canvas
79 15/16x70 1/2in
Pitti,
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MEYTENS, Martin van
Self-portrait
new21/MEYTENS, Martin van-749338.jpg
1740s Oil on canvas, 65 x 50,2 cm Museum of Fine Arts, Budapest Meytens's earliest self-portrait, a young painter's portrait with a turban, in the painters' gallery of Florences's Uffizi, was made during his Italian residence in 1727. This was followed in 1735 by a half-figure self-portrait, which can be found in two versions, in Sibiu's Muzeul Brukenthal, and in Ludwigsburg Gallery. The Budapest self-portrait belongs to a later period, and shows a slightly changed, somewhat more corpulent man. His face is still youthfully smooth, but already fattish, and he wears an Allonge-wig. His pose refers to his courtly position and special honours. A gold chain on his breast holds the medal he got in 1730 from Frederic, King of Sweden during his activity in Stockholm, and he ostentatiously shows with his right hand the medallion portrait of Empress Maria Theresia. Another half-figure portrait, now kept in the Viennese Gem?ldegalerie der Akademie der bildenden K?nste, as well as a painting in a Stockholm private collection, show the master some years older and of even more authority. Compared to these portraits and to the one engraved by Johann Gottfried Haid in 1756, our painting can probably be ascribed to the 1740s. Artist: MEYTENS, Martin van Painting Title: Self-portrait , 1701-1750 Painting Style: Austrian , , portrait
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MEYTENS, Martin van
Empress Maria Theresa
new21/MEYTENS, Martin van-828237.jpg
Oil on canvas Town Hall, Ghent This portrait of the Empress is in the reception salon of the Ghent Town Hall. The dress of Flemish lace that she is wearing was a gift to her from the states of Flanders. The dress was made by Ghent orphans. Out of gratitude for this expensive present, Maria Theresa allowed her portrait to be painted by her court painter, Martin van Meytens, after which the completed work was handed over to the members of the states. Artist: MEYTENS, Martin van Painting Title: Empress Maria Theresa , 1701-1750 Painting Style: Austrian , , portrait
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MEYTENS, Martin van
Self portrait
new24/MEYTENS, Martin van-787869.jpg
1740s
Medium Oil on canvas
Dimensions 65 x 50.2 cm (25.6 x 19.8 in)
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MEYTENS, Martin van
Johann Christoph Freiherr von Bartenstein
new24/MEYTENS, Martin van-556954.jpg
Oil on canvas
Dimensions 119 x 90 cm (46.9 x 35.4 in)
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MEYTENS, Martin van
Portrait of Maria Theresia of Austria
new24/MEYTENS, Martin van-374493.jpg
1744(1744)
Medium Oil on canvas
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MEYTENS, Martin van
Portrait of Archduchess Maria Antonia of Austria
new24/MEYTENS, Martin van-589748.jpg
1767-68
Medium Oil on canvas
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MEYTENS, Martin van
I.K.H. Erzherzogin Maria Elisabeth
new25/MEYTENS, Martin van-975884.jpg
Date 1747-1749
Medium Oil on canvas
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MEYTENS, Martin van
Dutch painter (b. 1695, Stockholm, d. 1770, Vienna).
was a Swedish-Austrian painter who has painted people of the royal Court of Austria such as Marie Antoinette, Maria Theresa of Austria, Francois III and his family, and many other royal paintings. His painting style has inspired many other painters to paint in a similar format. Martin van Meytens was born on June 16, 1695 and was later baptised in Stockholm, Sweden. He studied other great painter's works and in 1717 he had a great success in painting enamel paintings and miniatures, but later went on to greater task. In 1723 he began to paint large portraits of royal courts
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