100% hand painted, 100% cotton canvas, 100% money back if not satisfaction.
WITTE, Emanuel de
Dutch Baroque Era Painter, ca.1617-1691
Dutch painter. He was one of the last and, with Pieter Saenredam, one of the most accomplished 17th-century artists who specialized in representing church interiors. He trained with Evert van Aelst (1602-57) in Delft and in 1636 joined the Guild of St Luke at Alkmaar, but he was recorded in Rotterdam in the summers of 1639 and 1640. In October 1641 his daughter was baptized in Delft, where he entered the Guild of St Luke in June 1642 and lived for a decade, moving to Amsterdam c. 1652. He began his long career as an unpromising figure painter, as can be seen in the Vertumnus and Pomona (1644) and two small pendant portraits (1648; all Rotterdam, Mus. Boymans-van Beuningen). Jupiter and Mercury in the House of Philemon and Baucis (1647) and a Rembrandtesque Holy Family
100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
WITTE, Emanuel de The Courtyard of the Old Exchange in Amsterdam
WITTE, Emanuel de1.jpg 1653
Oil on panel, 48 x 47,5 cm
Museum Boymans-van Beuningen, Rotterdam
WITTE, Emanuel de The Interior of the Oude Kerk, Amsterdam, during a Sermon
WITTE, Emanuel de7.jpg 1658-59
Oil on canvas, 79 x 63 cm
National Gallery, London
WITTE, Emanuel de The Interior of the Oude Kerk,Amsterdam,During a Sermon
new16/WITTE, Emanuel de-799252.jpg mk170
circa 1660
Oil on canvas
51.1x56.2cm
WITTE, Emanuel de interior of a church
new20/WITTE, Emanuel de-887575.jpg mk247
c.1680,oil on canvas,47.25x41 in,120x104 cm,hamburger kunsthalle,hamburg,germany
Dutch Baroque Era Painter, ca.1617-1691
Dutch painter. He was one of the last and, with Pieter Saenredam, one of the most accomplished 17th-century artists who specialized in representing church interiors. He trained with Evert van Aelst (1602-57) in Delft and in 1636 joined the Guild of St Luke at Alkmaar, but he was recorded in Rotterdam in the summers of 1639 and 1640. In October 1641 his daughter was baptized in Delft, where he entered the Guild of St Luke in June 1642 and lived for a decade, moving to Amsterdam c. 1652. He began his long career as an unpromising figure painter, as can be seen in the Vertumnus and Pomona (1644) and two small pendant portraits (1648; all Rotterdam, Mus. Boymans-van Beuningen). Jupiter and Mercury in the House of Philemon and Baucis (1647) and a Rembrandtesque Holy Family
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