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GIORDANO, Luca
Christ Cleansing the Temple dh
GIORDANO, Luca1.jpg
Oil on canvas
Bob Jones University Collection, Greenville
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GIORDANO, Luca
The Philosopher Cratetes kj
GIORDANO, Luca2.jpg
c. 1650
Oil on canvas, 113 x 90 cm
Galleria Nazionale d'Arte Antica, Rome
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GIORDANO, Luca
Crucifixion of St. Peter fh
GIORDANO, Luca3.jpg
c. 1660
Oil on canvas, 196 x 258 cm
Gallerie dell'Accademia, Venice
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GIORDANO, Luca
A Cynical Philospher dfg
GIORDANO, Luca4.jpg
Oil on canvas, 131 x 103 cm
Alte Pinakothek, Munich
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GIORDANO, Luca
The Forge of Vulcan dhjh
GIORDANO, Luca5.jpg
Oil on canvas
The Hermitage, St. Petersburg
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GIORDANO, Luca
Perseus Fighting Phineus and his Companions dfhj
GIORDANO, Luca6.jpg
c. 1670
Oil on canvas, 285 x 366 cm
National Gallery, London
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GIORDANO, Luca
Psyche Honoured by the People fj
GIORDANO, Luca7.jpg
1692-1702
Oil on copper, 57,5 x 68,9 cm
Royal Collection, Windsor
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GIORDANO, Luca
Psyche's Parents Offering Sacrifice to Apollo dfj
GIORDANO, Luca8.jpg
1692-1702
Oil on copper, 56,2 x 69,2 cm
Royal Collection, Windsor
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GIORDANO, Luca
Psyche Served by Invisible Spirits fhh
GIORDANO, Luca9.jpg
1692-1702
Oil on copper, 57,8 x 68,9 cm
Royal Collection, Windsor
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GIORDANO, Luca
Venus Punishing Psyche with a Task dfh
GIORDANO, Luca10.jpg
1692-1702
Oil on copper, 58,1 x 68,9 cm
Royal Collection, Windsor
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GIORDANO, Luca
The Fall of the Rebel Angels dg
GIORDANO, Luca11.jpg
1666
Oil on canvas, 419 x 283 cm
Kunsthistorisches Museum, Vienna
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GIORDANO, Luca
Triumph of Judith dfh
GIORDANO, Luca12.jpg
1703-04
Fresco
Certosa di San Martino, Naples
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GIORDANO, Luca
Fresken in der Galerie des Palazzo Medici-Riccardi in Florenz, Szene: Triumph der Medici in den Wolken des Olymp, Detail
new26/GIORDANO, Luca-734779.jpg
Date 1684-1686
Medium fresco
TTD
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GIORDANO, Luca
Italian Baroque Era Painter, ca.1634-1705
,Italian painter and draughtsman, active also in Spain. He was one of the most celebrated artists of the Neapolitan Baroque, whose vast output included altarpieces, mythological paintings and many decorative fresco cycles in both palaces and churches. He moved away from the dark manner of early 17th-century Neapolitan art as practised by Caravaggio and his followers and Jusepe de Ribera, and, drawing on the ideas of many other artists, above all the 16th-century Venetians and Pietro da Cortona, he introduced a new sense of light and glowing colour, of movement and dramatic action.
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