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GHEERAERTS, Marcus the Younger
Flemish Baroque Era Painter, ca.1561-1636
was an artist of the Tudor court, described as "the most important artist of quality to work in England in large-scale between Eworth and Van Dyck" He was brought to England as a child by his father Marcus Gheeraerts the Elder, also a painter. He became a fashionable portraitist in the last decade of the reign of Elizabeth I under the patronage of her champion and pageant-master Sir Henry Lee, introducing a new aesthetic in English court painting that captured the essence of a sitter through close observation. He became a favorite portraitist of James I's queen Anne of Denmark, but fell out of fashion in the later 1610s. Marcus Gheeraerts the Younger was the son of the artist Marcus Gheeraerts the Elder and his wife Johanna. Hardly anything is known of the paintings of the elder Gheeraerts, although his work as a printmaker reached around Europe. Like other Protestant artists, Gheeraerts the Elder fled to England with his son to escape persecution in the Netherlands under the Duke of Alva. His wife was a Catholic and remained behind; she is assumed to have died a few years later. Father and son are recorded living with a Dutch servant in the London parish of St Mary Abchurch in 1568. On 9 September 1571, the elder Gheeraerts remarried. His new wife was Susanna de Critz, a member of an exiled family from Antwerp. It is uncertain by whom young Marcus was trained, although it is likely to have been his father; he was possibly also a pupil of Lucas de Heere. Records suggest that Marcus was active as a painter by 1586 In 1590 he married Magdalena, the sister of his stepmother Susanna and of the painter John de Critz.
100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
GHEERAERTS, Marcus the Younger Portrait of a Woman sdg
GHEERAERTS, Marcus the Younger3.jpg 1590s
Oil on canvas, 217 x 135,3 cm
Royal Collection, Windsor
GHEERAERTS, Marcus the Younger Portrait of Queen Elisabeth dfg
GHEERAERTS, Marcus the Younger4.jpg 1592
Oil on canvas, 241 x 152 cm
National Portrait Gallery, London
GHEERAERTS, Marcus the Younger Portrait of Lady Anne Ruhout df
GHEERAERTS, Marcus the Younger5.jpg 1631
Oil on canvas, 126 x 102 cm
Groeninge Museum, Bruges
GHEERAERTS, Marcus the Younger Anne of Denmark
new17/GHEERAERTS, Marcus the Younger-648353.jpg mk190
c.1611-14
Probably with a view of the garden of Somerset House
GHEERAERTS, Marcus the Younger Portrait of Helena van der Schalcke
new24/GHEERAERTS, Marcus the Younger-634674.jpg ca. 1648(1648) (1646-1650)
Medium Oil on panel
Dimensions 34 x 28.5 cm (13.4 x 11.2 in)
cyf
GHEERAERTS, Marcus the Younger Self-portrait
new24/GHEERAERTS, Marcus the Younger-648578.jpg . 1668 (1666-1670)
Medium Oil on canvas
Dimensions 62.7 x 43.7 cm (24.7 x 17.2 in)
cyf
Flemish Baroque Era Painter, ca.1561-1636
was an artist of the Tudor court, described as "the most important artist of quality to work in England in large-scale between Eworth and Van Dyck" He was brought to England as a child by his father Marcus Gheeraerts the Elder, also a painter. He became a fashionable portraitist in the last decade of the reign of Elizabeth I under the patronage of her champion and pageant-master Sir Henry Lee, introducing a new aesthetic in English court painting that captured the essence of a sitter through close observation. He became a favorite portraitist of James I's queen Anne of Denmark, but fell out of fashion in the later 1610s. Marcus Gheeraerts the Younger was the son of the artist Marcus Gheeraerts the Elder and his wife Johanna. Hardly anything is known of the paintings of the elder Gheeraerts, although his work as a printmaker reached around Europe. Like other Protestant artists, Gheeraerts the Elder fled to England with his son to escape persecution in the Netherlands under the Duke of Alva. His wife was a Catholic and remained behind; she is assumed to have died a few years later. Father and son are recorded living with a Dutch servant in the London parish of St Mary Abchurch in 1568. On 9 September 1571, the elder Gheeraerts remarried. His new wife was Susanna de Critz, a member of an exiled family from Antwerp. It is uncertain by whom young Marcus was trained, although it is likely to have been his father; he was possibly also a pupil of Lucas de Heere. Records suggest that Marcus was active as a painter by 1586 In 1590 he married Magdalena, the sister of his stepmother Susanna and of the painter John de Critz.
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