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FOPPA, Vincenzo
St Stephen the Martyr dfg
FOPPA, Vincenzo1.jpg
Tempera on wood, 89 x 34 cm
The Hermitage, St. Petersburg
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FOPPA, Vincenzo
St Michael Archangel (detail) sdf
FOPPA, Vincenzo2.jpg
Tempera on wood, 89 x 34 cm (full panel)
The Hermitage, St. Petersburg
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FOPPA, Vincenzo
The Adoration of the Kings dfg
FOPPA, Vincenzo3.jpg
1500-10
Panel, 239 x 200 cm
National Gallery, London
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FOPPA, Vincenzo
Bottigella Altarpiece dh
FOPPA, Vincenzo4.jpg
1480-84
Wood panel
Musei Civici, Pavia
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FOPPA, Vincenzo
Madonna and Child with St John the Baptist and St John the Evangelist dfhj
FOPPA, Vincenzo5.jpg
1485
Fresco transferred to canvas, 170 x 190 cm
Pinacoteca di Brera, Milan
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FOPPA, Vincenzo
Madonna and Child dfg
FOPPA, Vincenzo6.jpg
1476
Tempera on panel, 165 x 80 cm
Pinacoteca di Brera, Milan
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FOPPA, Vincenzo
Madonna and Child with an Angel deu
FOPPA, Vincenzo7.jpg
1479-80
Tempera on wood, 41 x 32,5 cm
Galleria degli Uffizi, Florence
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FOPPA, Vincenzo
Madonna of the Book d
FOPPA, Vincenzo8.jpg
1460-68
Wood panel
Castello Sforzesco, Milan
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FOPPA, Vincenzo
Portrait of Francesco Brivio sdf
FOPPA, Vincenzo9.jpg
Wood
Museo Poldi Pezzoli, Milan
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FOPPA, Vincenzo
St Augustine dsfg
FOPPA, Vincenzo10.jpg
1465-70
Wood panel
Castello Sforzesco, Milan
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FOPPA, Vincenzo
Madonna and Child with an Angel
new3/FOPPA, Vincenzo-526579.jpg
mk67
Tempera on panel
16 1/8/x12 13/16in
Uffizi,Gallery
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FOPPA, Vincenzo
The Young Cicero Reading
new21/FOPPA, Vincenzo-994253.jpg
1464 Fresco, 101,6 x 143,7 cm Wallace Collection, London This is the only surviving fresco fragment from the Palazzo Mediceo, Milan. It was cut from the wall c. 1863.Artist:FOPPA, Vincenzo Title: The Young Cicero Reading Painted in 1451-1500 , Italian - - painting : historical
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FOPPA, Vincenzo
Italian Early Renaissance Painter, ca.1430-1515
was a Northern-Italian Renaissance painter. He was an elderly contemporary of Leonardo da Vinci. Born at Bagnolo Mella, near Brescia in the Republic of Venice, he settled in Pavia around 1456, serving the dukes of Milan and emerging as one of the most prominent Lombard painters. Foppa returned to Brescia in 1489. His style shows affinities to Andrea del Castagno and Carlo Crivelli. Vasari claimed he had trained in Padua, where he may have been strongly influenced by Mantegna. During his lifetime, he was highly acclaimed, especially for his skill in perspective and foreshortening. His important works include a fresco in the Brera Gallery of Milan, the Martyrdom of St. Sebastian, and a Crucifixion (1435) in the Accademia Carrara of Bergamo. Many of his works have been lost. He was influential in the styles of Vincenzo Civerchio and Girolamo Romanino.
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