100% hand painted, 100% cotton canvas, 100% money back if not satisfaction.
DYCK, Sir Anthony Van
Flemish Baroque Era Painter, 1599-1641
Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck's studies in oil of characterful heads were included in Rubens's estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone;
100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
DYCK, Sir Anthony Van Portrait of a Member of the Balbi Family
DYCK, Sir Anthony Van1.jpg c. 1625
Oil on canvas, 132,7 x 120 cm
Cincinnati Art Museum, Cincinnati
DYCK, Sir Anthony Van Portrait of a Young General dfgj
DYCK, Sir Anthony Van4.jpg 1622-27
Oil on canvas, 115,5 x 104 cm
Kunsthistorisches Museum, Vienna
DYCK, Sir Anthony Van Portrait of Philadelphia and Elisabeth Cary fg
DYCK, Sir Anthony Van10.jpg 1635-38
Oil on canvas, 162 x 130 cm
The Hermitage, St. Petersburg
DYCK, Sir Anthony Van Charles I of England and Henrietta of France dfg
DYCK, Sir Anthony Van11.jpg Oil on canvas
Galleria Palatina (Palazzo Pitti), Florence
DYCK, Sir Anthony Van Porrtrait of the Sculptor Duquesnoy fgh
DYCK, Sir Anthony Van15.jpg 1627-29
Oil on canvas, 77,5 x 61 cm
Mus??es Royaux des Beaux-Arts, Brussels
DYCK, Sir Anthony Van Portrait of Father Jean-Charles della Faille, S.J. dfh
DYCK, Sir Anthony Van16.jpg 1629
Oil on canvas, 130,8 x 118,5 cm
Mus??es Royaux des Beaux-Arts, Brussels
DYCK, Sir Anthony Van Thomas Killigrew and William, Lord Croft fgjh
DYCK, Sir Anthony Van18.jpg 1638
Oil on canvas, 132,7 x 143,5 cm
Royal Collection, Windsor
DYCK, Sir Anthony Van Portrait of the Artist Marten Pepijn dfg
DYCK, Sir Anthony Van19.jpg Oil on panel, 72 x 56 cm
Koninklijk Museum voor Schone Kunsten, Antwerp
DYCK, Sir Anthony Van Portrait of Porzia Imperiale and Her Daughter fg
DYCK, Sir Anthony Van20.jpg c. 1628
Oil on canvas, 184,5 x 134 cm
Mus??es Royaux des Beaux-Arts, Brussels
DYCK, Sir Anthony Van The Lamentation of Christ fg
DYCK, Sir Anthony Van28.jpg Oil on canvas, 115 x 208 cm
Koninklijk Museum voor Schone Kunsten, Antwerp
Flemish Baroque Era Painter, 1599-1641
Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck's studies in oil of characterful heads were included in Rubens's estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone;
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