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CODDE, PieterDutch Baroque Era Painter, 1599-1678
Dutch painter and poet. Frans Hals was once thought to have been his teacher, but there is no evidence for this. It is possible that Codde studied with a portrait painter, perhaps Barent van Someren (1572/3-1632) or Cornelis van der Voort (1576-1624), since most of his earliest works, from the period 1623-7, seem to be portraits. His earliest known dated work is the Portrait of a Young Man (1626; Oxford, Ashmolean), which precedes by a year his earliest dated genre piece, the Dancing Lesson (1627; Paris, Louvre). He was particularly productive in the 1620s and 1630s, painting mainly interior genre scenes. After the mid-1640s only portraits and a few history paintings, such as the Adoration of the Shepherds
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100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
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CODDE, Pieter
Musical Company dfg
CODDE, Pieter1.jpg
1639
Oil on canvas
Private collection
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CODDE, Pieter
The Meagre Company dfg
CODDE, Pieter3.jpg
1633-37
Oil on canvas, 207,3 x 427,5 cm
Rijksmuseum, Amsterdam
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CODDE, Pieter
Young Scholar in his Study dfg
CODDE, Pieter4.jpg
c. 1630
Oil on wood
Mus??e des Beaux-Arts, Lille
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CODDE, Pieter
Portrait of a Child dfg
CODDE, Pieter5.jpg
Oil on canvas, 53 x 40 cm
Staatsgalerie, Schleissheim
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CODDE, Pieter
The Dancing Lesson
new22/CODDE, Pieter-644654.jpg
1627 Oil on wood Mus?e du Louvre, Paris , CODDE, Pieter , The Dancing Lesson , 1601-1650 , Dutch , painting , genre
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CODDE, Pieter
Dutch Baroque Era Painter, 1599-1678
Dutch painter and poet. Frans Hals was once thought to have been his teacher, but there is no evidence for this. It is possible that Codde studied with a portrait painter, perhaps Barent van Someren (1572/3-1632) or Cornelis van der Voort (1576-1624), since most of his earliest works, from the period 1623-7, seem to be portraits. His earliest known dated work is the Portrait of a Young Man (1626; Oxford, Ashmolean), which precedes by a year his earliest dated genre piece, the Dancing Lesson (1627; Paris, Louvre). He was particularly productive in the 1620s and 1630s, painting mainly interior genre scenes. After the mid-1640s only portraits and a few history paintings, such as the Adoration of the Shepherds
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